Who was the Speaker
Isaiah 5:1-7
Now will I sing to my well beloved a song of my beloved touching his vineyard. My well beloved has a vineyard in a very fruitful hill:


It is an interesting question, and one to which the answer is not altogether obvious. And who is the well-beloved to whom these words are addressed? Only two answers seem possible. Either it must be the prophet who speaks, and his God that he is addressing; or else it must be the eternal Father that is addressing His co-eternal Son.

1. If we adopt, as most commentators seem to do, the former explanation, we have to face two very serious difficulties, neither of which can I meet.

(1) The prophet here uses a term of endearment which would be strangely inconsistent with his usual style of addressing God, and such a use of the Hebrew term here employed occurs nowhere else in Scripture. It is a term of endearment of the strongest kind, answering very closely to our English word "darling"; and it is easy to see that there is something very repugnant to our ideas of seemliness and reverence in the application of such a term to that God with whose majesty Isaiah was himself so profoundly impressed. In every other ease in which this word is used as a term of endearment, it is addressed by the stronger to the weaker, by the superior to the inferior. Thus Benjamin is spoken of as the beloved of the Lord in the blessings of Deuteronomy, the thought suggested being, that as Benjamin himself was Jacob's favourite, the darling of his heart, so the tribe was to be specially dear to the great Father of the race. But obviously, while Benjamin might justly he called the darling of Jacob's heart, it would have been, to say the least, somewhat incongruous to speak of Jacob as Benjamin's darling. The term would have been wholly out of place here; and not less, but even more, out of place must it needs be in the lips of an Isaiah addressing his God.

(2) Yet another difficulty has to be faced if we make the prophet the singer; for in that case, his song clearly ends at the close of the second verse, whereas on this hypothesis it must be assumed that there is an abrupt transition from the speech of the prophet to the speech of God. But it seems clear that the whole passage, down to the end of the seventh verse, constitutes the song referred to in the first verse, and it is all spoken of as a song sung to the beloved.

2. Let us adopt the other explanation of the passage, and all at once becomes straightforward and self-consistent, the only difficulty involved being that we have here a marvellously explicit reference to a great theological verity, that was not fully revealed to the world till the Christian epoch — the doctrine of the distinction of Persons (as we are obliged to express it for lack of better terms) in the Divine Unity. This great truth is, however, implied in many other passages of Old Testament Scripture, and therefore its occurrence here need not trouble us. According to this second interpretation, it is the eternal Father that is here addressing His well-beloved Son, the Angel of the Covenant, to whose tutelage the ancient Theocracy was delivered, just as at a subsequent period He became, in the flesh, the Founder and Head of the Christian Church. Here the expression used is just what might be expected, and we are reminded of the voice which fell from heaven in New Testament times: "This is My beloved Son, in whom I am well pleased." In this exegesis the identity of the singer and the unity of the song is preserved throughout, There is no abrupt transition from the utterance of one person to that of another; for He who sings and He to whom the song is sung are one. The Father does Himself that which He does through the Divine Word, and hence the passage from the third person to the first in the third verse ceases to be embarrassing; nay, additional force is added to the Divine expostulation; for the Father is jealous with a holy jealousy for the Person and work of His Son. He knows how well that work has been done, and has all the more reason to complain of its having been denied its proper results and its merited reward. There is something infinitely pathetic in the idea of this song of lamentation, poured forth from the great Father's heart of love into the sympathetic ear of His well-beloved Son, and in this enumeration of all that He, the well-beloved of the Father, had wrought for favoured Israel. When man was created, he was created as the result of the decree of a Divine council: "Let us make man in our own image." And now when, after years of trial, man has proved himself a miserable failure, the Divine Father and the co-eternal Son are represented as conferring over the disastrous issue.

(W. Hay Aitken, M. A.)



Parallel Verses
KJV: Now will I sing to my wellbeloved a song of my beloved touching his vineyard. My wellbeloved hath a vineyard in a very fruitful hill:

WEB: Let me sing for my well beloved a song of my beloved about his vineyard. My beloved had a vineyard on a very fruitful hill.




Unfruitfulness Reproved
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