The Succession of Kingdoms
Daniel 2:34-49
You saw till that a stone was cut out without hands, which smote the image on his feet that were of iron and clay…


I. Daniel regarded the dream as a communication from God. It" was common for the Almighty to communicate with men in this way (Job 33:15-17; Numbers 12:6). Most frequently "a dream cometh through the multitude of business" (Ecclesiastes 5:3); yet there are instances in which we have reason to believe that God does still interpose to instruct, warn, and admonish people through the agency of dreams. We are not to look for illumination in this way where we have the Holy Scriptures to guide us; neither are we to believe or follow our dreams in anything contrary to God's written word. In the case of Nebuchadnezzar the dream was special, and from the Lord. And it is not incongruous that a universal monarch, in the highest glory of the world's original kingdom, should be the veer of the course and end of all secular dominion, particularly when earnestly concerned about the matter.

2. Daniel regarded this dream as very momentous. When it was made known to him he broke into exultant adoration, not so much because he was the honoured servant to whom it was revealed, as for what it signified. It showed such a majesty above all the majesty of earth, such a plan in the course of all human governments and dominions, and such a power to handle and order all the potencies of time, that his soul was ready to break away from him when the mighty showing flashed upon his understanding. It set every emotion and energy within him on fire.

3. The dream gives an outline of the history and destiny of all earthly dominion, from Nebuchadnezzar to the end of the present world, and for ever. The several metals of which the great image was composed designated a succession of universal empires. The head was "fine gold," and Nebuchadnezzar was this head of gold. Babylon was the first and greatest of kingdoms. The breast and shoulders and arms of this image were of silver. This represents the comparatively inferior empire of the Medes and Persians, which stood for about two hundred years. It is chiefly interesting for the personality of Cyrus, its founder. The abdomen and thighs of the image were of brass; this represented the Graeco-Macedonian empire of Alexander the Great. The image had legs, feet, and toes. These were of iron, except the toes. This represents the Roman power. Since the Roman there has been no universal empire.

4. In this foreshowing of the succession of earthly administration there is a continuous deterioration from the beginning to the end. Political economists and statesmen claim that the world has been growing in wisdom and excellence through all the ages. And in some respects there has been growth. But with all, in God's estimate, there has been a never-ceasing downwardness, depreciation, and tendency toward the earth out of which man was taken. It is the whole history of the world that is comprehended in this vision. When we find in this book the whole political and social history of our world grandly and truly sketched, just as it has turned out from that time to this living present, how can we construe it except upon the doctrine alleged by the prophet, that it was revealed to him from the Almighty and all-knowing One. Daniel tells us that God, the living God, the God who rules all kingdoms and all history, the God to whose omniscience all things are present, naked and open, the Almighty, revealed these things to him; and the seal to his assertion is inimitably stamped upon all the records of the succeeding ages. There is a God in history, and He hath prophets whom He hath sent to speak His word and will. These living oracles are verily from Him.

(Joseph A. Seiss, D.D.)



Parallel Verses
KJV: Thou sawest till that a stone was cut out without hands, which smote the image upon his feet that were of iron and clay, and brake them to pieces.

WEB: You saw until a stone was cut out without hands, which struck the image on its feet that were of iron and clay, and broke them in pieces.




The Stone that Smote the Image
Top of Page
Top of Page