3451. mousikos
Lexical Summary
mousikos: Musical

Original Word: μουσικός
Part of Speech: Adjective
Transliteration: mousikos
Pronunciation: moo-see-KOS
Phonetic Spelling: (moo-sik-os')
KJV: musician
NASB: musicians
Word Origin: [from Mousa (a Muse)]

1. "musical"
2. (as noun) a minstrel

Strong's Exhaustive Concordance
musician.

From Mousa (a Muse); "musical", i.e. (as noun) a minstrel -- musician.

NAS Exhaustive Concordance
Word Origin
from Mousa (a Muse)
Definition
skilled in the arts (esp. music)
NASB Translation
musicians (1).

Thayer's Greek Lexicon
STRONGS NT 3451: μουσικός

μουσικός, μουσική, μουσικον (Μοῦσα (music, eloquence, etc.)); frequent in Greek writings; properly, devoted to and skilled in the arts sacred to the muses; accomplished in the liberal arts; specifically, skilled in music; playing on musical instruments; so Revelation 18:22 (R. V. minstrels).

Topical Lexicon
Biblical Occurrence

Revelation 18:22 is the sole New Testament appearance of the adjective translated “musicians.” In the vivid description of end-time Babylon, John hears an angel proclaim: “And the sound of harpists and musicians, of flute players and trumpeters, will never be heard in you again”. The word is plural and comprehensive, embracing every category of skilled performer whose calling is to glorify God or delight humankind through melody and instrumentation.

Immediate Context in Revelation

Babylon symbolizes the world system in arrogant opposition to God. Its fall is portrayed through a series of silenced sounds: craftsmen, millstones, lamps, and brides. The extinguishing of music marks the totality of the judgment—no joy, no worship, no art remain. As music often serves as a barometer of a society’s vitality, the banishment of musicians underscores how sin finally impoverishes culture itself (Revelation 18:21-23).

Old Testament Background

1 Chronicles 15:16 records David commissioning “the Levites to appoint their brothers as singers to raise their voices with joyful sound, accompanied by musical instruments.” Music saturated temple worship (2 Chronicles 5:13), battle strategy (2 Chronicles 20:21-22), and personal devotion (Psalm 33:2-3). Prophets lamented its loss during judgment; for example, Ezekiel 26:13 foretold that Tyre’s songs would cease. John’s echo of this prophetic pattern in Revelation 18 signals the continuity of divine justice.

Theological Significance

1. Music as Worship: Scripture presents music as a divinely sanctioned means of glorifying the Creator (Psalm 150).
2. Music as Witness: The songs of the redeemed testify to salvation (Exodus 15:1; Revelation 14:3).
3. Silence as Judgment: The removal of song evidences separation from God’s presence (Lamentations 5:14-15). Revelation 18 intensifies that motif: when a society silences God, God silences its musicians.

New Testament Harmony

While Revelation highlights music’s absence in Babylon, Paul urges believers to be “speaking to one another with psalms, hymns, and spiritual songs, singing and making music with your hearts to the Lord” (Ephesians 5:19; cf. Colossians 3:16). The contrast is stark: the bride of Christ is marked by Spirit-filled song, the harlot Babylon by silence.

Historical Notes on Ancient Musicians

Musicians in the Greco-Roman world occupied roles ranging from temple ritual to civic celebration. Revelation 18 draws on the image of professional guilds that flocked to Rome’s festivals. Their disappearance signals economic collapse and spiritual desolation.

Prophetic and Eschatological Implications

The silencing of music prefigures the final separation between righteousness and rebellion. In the New Jerusalem, songs never cease (Revelation 5:9-13; Revelation 19:6-7). Musicianship thus becomes a litmus test: silenced in judgment, perfected in glory.

Ministry Applications

• Cultivate God-honoring music, recognizing it as both foretaste of heaven and antidote to Babylonian seduction.
• Discern the content and purpose of cultural music; ask whether it magnifies the Lamb or echoes a doomed system.
• Offer worship that anticipates the eternal chorus where every redeemed voice joins the “new song” of Revelation 14:3.

Summary

Strong’s Greek 3451 appears only once, yet its placement in Revelation 18:22 magnifies the crucial role of music throughout redemptive history: a gift from God, a casualty of judgment, and a hallmark of the eternal kingdom.

Forms and Transliterations
μουσικων μουσικών μουσικῶν μυγάλη mousikon mousikôn mousikōn mousikō̂n
Links
Interlinear GreekInterlinear HebrewStrong's NumbersEnglishman's Greek ConcordanceEnglishman's Hebrew ConcordanceParallel Texts
Englishman's Concordance
Revelation 18:22 Adj-GMP
GRK: κιθαρῳδῶν καὶ μουσικῶν καὶ αὐλητῶν
NAS: of harpists and musicians and flute-players
KJV: and musicians, and
INT: of harpists and musicians and flute-players

Strong's Greek 3451
1 Occurrence


μουσικῶν — 1 Occ.

3450
Top of Page
Top of Page