2301. theatrizó
Lexical Summary
theatrizó: To make a spectacle of, to expose publicly, to put on display.

Original Word: θεατρίζω
Part of Speech: Verb
Transliteration: theatrizó
Pronunciation: theh-at-rid'-zo
Phonetic Spelling: (theh-at-rid'-zo)
KJV: make a gazing stock
NASB: made a public spectacle, public spectacle
Word Origin: [from G2302 (θέατρον - theater)]

1. to expose as a spectacle

Strong's Exhaustive Concordance
to put to shame, expose publicly

From theatron; to expose as a spectacle -- make a gazing stock.

see GREEK theatron

HELPS Word-studies

Cognate: 2301 theatrízō (from 2302 /théatron, "theatre") – to ridicule, making a public spectacle out of someone, putting them on exhibit for public jest and mockery (used only in Heb 10:33). See 2300 (theáomai).

NAS Exhaustive Concordance
Word Origin
from theatron
Definition
to make a spectacle of
NASB Translation
made a public spectacle (1), public spectacle (1).

Thayer's Greek Lexicon
STRONGS NT 2301: θεατρίζω

θεατρίζω: (θέατρον, which see); properly, to bring upon the stage; hence, to set forth as a spectacle, expose to contempt; passive, present participle θεατριζόμενος (A. V. being made a gazing-stock), Hebrews 10:33. (Several times also in ecclesiastical and Byzantine writings (cf. Sophocles' Lexicon, under the word); but in the same sense ἐκθεατρίζω in Polybius 3, 91, 10; others; (cf. Winers Grammar, 25 (24) note; also Tdf. edition 7 Proleg., p. 59 ff).)

Topical Lexicon
Concept Overview

The verb behind Strong’s 2301 conveys the act of putting someone “on stage” before a watching crowd, turning the person into a living drama for public scrutiny, ridicule, or admiration. The image evokes the Roman theater and arena where spectators judged every gesture. Scripture appropriates this cultural picture to describe the lot of believers who, by their fidelity to Christ, become visible testaments of the gospel before both hostile and sympathetic audiences.

Biblical Occurrence: Hebrews 10:33

“Sometimes you were publicly exposed to ridicule and persecution; at other times you were partners with those who were so treated.” (Hebrews 10:33)

1. Context. Hebrews addresses Jewish Christians tempted to abandon their confession under mounting pressure. The writer reminds them how, earlier in their walk, they were literally “put on stage” for society’s mockery yet did not shrink back.
2. Purpose. The recollection serves to strengthen present resolve. By recalling past faithfulness under exposure, the epistle argues they can likewise endure future trials.
3. Corporate dimension. The verse also highlights solidarity: believers not only suffered themselves but “were partners with those who were so treated,” embodying the shared life of the body of Christ.

Related Imagery in Scripture

1 Corinthians 4:9. “For it seems to me that God has displayed us apostles at the end of the procession, like those sentenced to die in the arena; we have been made a spectacle to the whole world, to angels as well as to men.” The cognate noun “spectacle” broadens the thought—from one congregation in Hebrews to the universal witness of the apostles.
Colossians 2:15. Though employing a different verb, Paul depicts Christ as reversing the drama: He “made a public spectacle” of the demonic powers, demonstrating that those who shame believers will themselves be shamed. Together, these passages sketch a theology of spectacle—God’s people may be exposed now, yet ultimate exposure and triumph belong to the Lord.

Historical Context of Public Spectacle

1. Greco-Roman theatres and games drew crowds from every social class. Public punishment, particularly of criminals and prisoners of war, was routine entertainment.
2. Early Christian hearings often occurred in such venues, where magistrates leveraged public shaming to pressure believers into recanting.
3. Martyr accounts from the second and third centuries confirm the letter to the Hebrews: Christians stood before judges and mobs, their steadfastness functioning as both defense and proclamation of the faith.

Theological Reflections

• Identification with Christ. Jesus Himself was paraded before Herod’s soldiers and the crowds (Luke 23:35–36). To be “theatricalized” for His name unites the church with her Lord’s passion.
• Eschatological inversion. Present exposure anticipates future vindication; those who suffer as spectacles now will “inherit a kingdom that cannot be shaken” (Hebrews 12:28).
• Witness to unseen realms. 1 Corinthians 4:9 insists the audience is larger than earthly observers—angels watch the unfolding drama of redemption.

Pastoral and Ministry Insights

1. Encourage perseverance. Reminding believers of past faithfulness under public scorn helps frame current trials as part of a continuing testimony.
2. Cultivate solidarity. Hebrews 10:33 commends standing with the shamed, refusing to let any member face the stage alone.
3. Redeem visibility. In an age of social media exposure, followers of Christ can intentionally live transparently, demonstrating grace under scrutiny.
4. Teach eschatological hope. The promise that God will one day reverse every unjust spectacle infuses courage into present endurance.

Summary

Strong’s 2301 captures a vivid New Testament picture: God’s people, thrust into the world’s theater, display the gospel through steadfast faith amid ridicule. Their temporary shame parallels Christ’s own and prefigures the ultimate moment when He will unveil His glory—and theirs—before the same watching universe.

Forms and Transliterations
θεατριζομενοι θεατριζόμενοι theatrizomenoi theatrizómenoi
Links
Interlinear GreekInterlinear HebrewStrong's NumbersEnglishman's Greek ConcordanceEnglishman's Hebrew ConcordanceParallel Texts
Englishman's Concordance
Hebrews 10:33 V-PPM/P-NMP
GRK: καὶ θλίψεσιν θεατριζόμενοι τοῦτο δὲ
NAS: partly by being made a public spectacle through reproaches
KJV: Partly, whilst ye were made a gazingstock both
INT: and tribulations being made a spectacle this moreover

Strong's Greek 2301
1 Occurrence


θεατριζόμενοι — 1 Occ.

2300
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