5508. sochereth
Lexical Summary
sochereth: Hireling, hired worker

Original Word: סֹחֵרֶת
Part of Speech: Noun Feminine
Transliteration: cochereth
Pronunciation: so-kheh'-reth
Phonetic Spelling: (so-kheh'-reth)
KJV: black marble
NASB: precious stones
Word Origin: [similar to H5507 (סוֹחֵרָה - bulwark)]

1. probably a (black) tile (or tessara) for laying borders with

Strong's Exhaustive Concordance
black marble

Similar to cocherah; probably a (black) tile (or tessara) for laying borders with -- black marble.

see HEBREW cocherah

NAS Exhaustive Concordance
Word Origin
from sachar
Definition
a stone (used in paving)
NASB Translation
precious stones (1).

Brown-Driver-Briggs
[סֹחֶ֫רֶת] noun feminine a stone used (with marble) in paving (compare Assyrian si—ru, a precious stone, DlHWB 495); — סֹחָ֑רֶת Esther 1:6.

Topical Lexicon
Definition and Context

סֹחֵרֶת (sōchereth) identifies the silver “rings” or “rods” from which curtains and tapestries were suspended in the palace court of King Ahasuerus during the seven-day feast described in Esther 1:6. The term occurs only here, emphasizing a single but vivid element of Persian court décor: “There were hangings of white and violet linen fastened with cords of fine linen and purple material to silver rings on marble pillars…” (Esther 1:6).

Historical Background of Esther 1:6

The event takes place in Susa around 483 B.C. The lavish banquet celebrates the king’s power after three years of military preparation. Archaeological discoveries from Susa confirm the use of marble columns and elaborate textiles in Persian palaces. The silver rings (סֹחֵרֶת) allowed banners and canopies to sway in the open-air courtyard, creating both shade and spectacle for thousands of nobles. For exiled Jews living under Persian dominion, the scene underscored their vulnerability in a foreign empire, yet also introduced the setting where God would later reverse their fortunes.

Material Culture and Architectural Use

1. Composition: Likely cast or hammered silver, valued for malleability and luster.
2. Function: Anchoring cords that supported colored linens—technology also seen in Near-Eastern tents and royal pavilions.
3. Aesthetic: Combined with marble, gold, porphyry, and mother-of-pearl (Esther 1:6b), the rings contributed to a sensory environment of opulence meant to magnify the monarch.

Literary and Theological Significance

• Contrast of Glory: The fleeting splendor of Persia foreshadows “all flesh is like grass, and all its glory like the flower of the field” (1 Peter 1:24). The rings glitter, but their metal cannot prevent divine providence from overruling the king’s decrees (Esther 8:8–9).
• Setting the Conflict: The same hall that dazzles with wealth becomes the backdrop for Vashti’s dismissal and Esther’s later intercession, highlighting that human pomp cannot thwart God’s covenant purposes (Genesis 12:3; Esther 4:14).
• Echoes of Sanctuary Imagery: Though a different Hebrew word is used, silver “rings” recall the tabernacle’s rings that joined curtains (Exodus 26:6). Persia’s counterfeit splendor thus involuntarily mirrors the true worship center of Israel, accentuating the exile theme.

Typological and Ministry Implications

• Sovereignty Behind the Scenes: A small architectural detail reminds readers that God is attentive to every thread and ring in the account of redemption.
• Stewardship of Wealth: The wasting of resources on a pagan feast contrasts with the later generosity commanded toward the Jews in Esther 9:22, encouraging modern believers to invest riches in covenantal rather than carnal ends.
• Hospitality and Holiness: While hospitality is commended in Scripture (Hebrews 13:2), extravagance untethered from humility risks idolatry. Ministry settings today may learn to distinguish beauty that honors God from display that exalts self.

Practical Application for Today

1. Evaluate Externals: Buildings and décor can serve the gospel, but the heart motive must remain pure (Colossians 3:17).
2. Recognize Providence: God works through secular structures—political, architectural, economic—to safeguard His people.
3. Await Enduring Glory: Revelation 21:21 envisions eternal splendor where gold and pearl no longer testify to human power but to God’s glory alone. The silver סֹחֵרֶת of Esther anticipates a superior city whose Builder and Architect is God (Hebrews 11:10).

Forms and Transliterations
וְסֹחָֽרֶת׃ וסחרת׃ vesoCharet wə·sō·ḥā·reṯ wəsōḥāreṯ
Links
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Englishman's Concordance
Esther 1:6
HEB: וָשֵׁ֖שׁ וְדַ֥ר וְסֹחָֽרֶת׃
NAS: mother-of-pearl and precious stones.
KJV: and white, and black, marble.
INT: marble mother-of-pearl and precious

1 Occurrence

Strong's Hebrew 5508
1 Occurrence


wə·sō·ḥā·reṯ — 1 Occ.

5507
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