Exodus 38
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The Bronze Altar
(Exodus 27:1–8)

1Bezalel constructeda the altar of burnt offering from acacia wood. It was square, five cubits long, five cubits wide, and three cubits high.b 2He made a horn at each of its four corners, so that the horns and altar were of one piece, and he overlaid the altar with bronze.

3He made all the altar’s utensils of bronze—its pots, shovels, sprinkling bowls, meat forks, and firepans. 4He made a grate of bronze mesh for the altar under its ledge, halfway up from the bottom.

5At the four corners of the bronze grate he cast four rings as holders for the poles. 6And he made the poles of acacia wood and overlaid them with bronze. 7Then he inserted the poles into the rings on the sides of the altar for carrying it. He made the altar with boards so that it was hollow.

The Bronze Basin
(Exodus 30:17–21)

8Next he made the bronze basin and its stand from the mirrors of the women who served at the entrance to the Tent of Meeting.

The Courtyard
(Exodus 27:9–19)

9Then he constructed the courtyard. The south side of the courtyard was a hundred cubits longc and had curtains of finely spun linen, 10with twenty posts and twenty bronze bases, and with silver hooks and bands on the posts. 11The north side was also a hundred cubits long, with twenty posts and twenty bronze bases. The hooks and bands of the posts were silver. 12The west side was fifty cubits longd and had curtains, with ten posts and ten bases. The hooks and bands of the posts were silver. 13And the east side, toward the sunrise, was also fifty cubits long.

14The curtains on one side of the entrance were fifteen cubits long,e with three posts and three bases. 15And the curtains on the other side were also fifteen cubits long, with three posts and three bases as well. 16All the curtains around the courtyard were made of finely spun linen. 17The bases for the posts were bronze, the hooks and bands were silver, and the plating for the tops of the posts was silver. So all the posts of the courtyard were banded with silver.

18The curtain for the entrance to the courtyard was embroidered with blue, purple, and scarlet yarn, and finely spun linen. It was twenty cubits longf and, like the curtains of the courtyard, five cubits high,g 19with four posts and four bronze bases. Their hooks were silver, as well as the bands and the plating of their tops. 20All the tent pegs for the tabernacle and for the surrounding courtyard were bronze.

An Inventory of Materials
(Ezra 2:68–70; Nehemiah 7:70–73)

21This is the inventory for the tabernacle, the tabernacle of the Testimony, as recorded at Moses’ command by the Levites under the direction of Ithamar son of Aaron the priest. 22Bezalel son of Uri, the son of Hur, of the tribe of Judah, made everything that the LORD had commanded Moses. 23With him was Oholiab son of Ahisamach, of the tribe of Dan, an engraver, designer, and embroiderer in blue, purple, and scarlet yarn and fine linen.

24All the gold from the wave offering used for the work on the sanctuary totaled 29 talents and 730 shekels,h according to the sanctuary shekel.

25The silver from those numbered among the congregation totaled 100 talents and 1,775 shekels,i according to the sanctuary shekel— 26a beka per person, that is, half a shekel,j according to the sanctuary shekel, from everyone twenty years of age or older who had crossed over to be numbered, a total of 603,550 men.

27The hundred talents of silverk were used to cast the bases of the sanctuary and the bases of the veil—100 bases from the 100 talents, one talent per base.

28With the 1,775 shekels of silverl he made the hooks for the posts, overlaid their tops, and supplied bands for them.

29The bronze from the wave offering totaled 70 talents and 2,400 shekels.m 30He used it to make the bases for the entrance to the Tent of Meeting, the bronze altar and its bronze grating, all the utensils for the altar, 31the bases for the surrounding courtyard and its gate, and all the tent pegs for the tabernacle and its surrounding courtyard.


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The MSB is the Byzantine Majority Text version of the BSB, including the BSB OT plus the NT translated according to the Robinson-Pierpont Byzantine Majority Text (byzantinetext.com).

The MSB includes footnotes for translatable variants from the modern Critical Texts (CT) such as the Nestle Aland GNT, SBL GNT, and Editio Critica Maior.

Major variants between the Majority Text (MT) and Textus Receptus (TR) are also noted. For a few passages not included in the MT, the TR translation is denoted with [[brackets]] and also footnoted.

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