Psalm 118:27 and Israelite worship?
How does Psalm 118:27 reflect the historical context of ancient Israelite worship practices?

Literary and Liturgical Setting within the Hallel

Psalm 118 closes the “Egyptian Hallel” (Psalm 113-118), sung corporately at Passover (Mishnah Pesaḥim 10.5), Weeks, and Tabernacles. Ancient sources (Josephus, Antiquities 3.10.4; 11QPs a from Qumran) confirm that pilgrims chanted these psalms antiphonally while ascending to the Temple. Verse 27 thus functioned as the climax of a responsive hymn in which priests inside the courtyard answered pilgrims gathered in the outer Court of Israel (cf. Psalm 118:26).


Temple Architecture and the Four-Horned Altar

Excavations at Tel Beersheba, Tel Arad, and Megiddo have produced limestone altars with the same four protruding horns specified in Exodus 27:2. These discoveries, carbon-dated (AMS method) to Iron II (10th–8th c. BC), verify the ubiquity and dimensions of the cultic furniture assumed by the psalmist. The horns served both symbolic and practical purposes—signifying power (cf. 1 Kings 2:28) and providing anchor-points for the binding of a sacrifice exactly as commanded in Psalm 118:27.


“Bind the Festival Sacrifice” – Ritual Procedure

Leviticus 23 and Numbers 28-29 legislate additional burnt offerings (ʿōlâ) and fellowship offerings (šĕlāmîm) during the three pilgrimage feasts. Mishnah Tamid 4.1 and Sukkah 4.9 describe the animal’s fore- and hind-legs being secured to the altar horns with linen cords so the priest could slit the throat without struggle. Psalm 118:27 preserves the congregational call for that final step, underscoring the community’s participatory awareness of sacrificial mechanics.


Processional Imagery and the Use of Branches

Several early Hebrew manuscripts (e.g., LXX, 4QPs a) preserve an alternate reading, “with trees/branches to the horns of the altar,” likely reflecting the waving of lulav bundles prescribed for the Feast of Tabernacles (Leviticus 23:40). Rabbinic tradition (Sukkah 3.9) states that pilgrims circled the altar while reciting “Ana Yah, hoshiʿa na”—a phrase found in the immediate context (Psalm 118:25). The psalm’s imagery therefore mirrors the joyous procession of worshipers carrying palm, myrtle, and willow branches, a practice memorably echoed when crowds waved palm fronds before Jesus during His triumphal entry (John 12:13).


Priestly Illumination Formula

“He has made His light to shine upon us” echoes the priestly benediction: “The LORD make His face shine upon you” (Numbers 6:25). In temple liturgy the priests raised their hands to bless the congregation after the morning tamid offering, signaling that sacrificial atonement opened the way for covenantal light (cf. Isaiah 60:1). Psalm 118 embeds that blessing inside a pilgrim psalm, showing the seamless integration of priestly and lay roles in worship.


Festival Calendar and Covenant Memory

Historical Israel tied each pilgrimage feast to a redemptive event:

• Passover—exodus from Egypt.

• Weeks—Sinai covenant give-over.

• Tabernacles—wilderness provision and anticipated ingathering.

Psalm 118’s call to bind “the festival sacrifice” situates the poem within this covenantal rhythm. The verse therefore reflects an entire social order organized around collective remembrance, as corroborated by ostraca from Samaria (8th c. BC) and Arad (7th c. BC) that list tithe deliveries and pilgrimage rations.


Archaeological Corroboration of Cultic Continuity

1. Ketef Hinnom silver scrolls (7th c. BC) preserve the priestly blessing almost verbatim, confirming the longevity of Numbers 6:24-26 used in Psalm 118:27.

2. Hezekiah’s Broad Wall and the Siloam Tunnel inscription demonstrate an eighth-century infrastructure capable of sustaining the massive Jerusalem pilgrimages alluded to in the Hallel.

3. The Temple Mount Soreg inscription (1st c. BC–1st c. AD) attests to regulated lay access versus priestly space, matching the demarcations implied when the congregation invites the priest to act at the altar.


Second-Temple Adaptations and Messianic Expectation

By Jesus’ day Psalm 118 had become explicitly messianic (Matthew 21:9, 42). The crowds’ cry “Hosanna” (Heb. hôšîʿâ-nā, Psalm 118:25) and their palm-waving reprise the earlier Tabernacles imagery. The Evangelists record that Christ Himself, the ultimate Paschal Lamb (1 Corinthians 5:7), was bound—first in Gethsemane, then to the cross—fulfilling the psalm’s sacrificial typology and thereby providing once-for-all atonement (Hebrews 9:12). Resurrection appearances documented in 1 Corinthians 15:3-8 confirm that the priestly blessing of divine light now radiates from the risen Christ (2 Corinthians 4:6).

What does Psalm 118:27 mean by 'bind the festal sacrifice with cords to the horns of the altar'?
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