No features in Solomon's temple have given rise to so much controversy as these two famous pillars; the beauty of which Jewish writers are never tired of recounting. They were marvels of the glyptic skill for which the Phoenician workmen were distinguished. Homer speaks of such metallic work. In Il. 23. 741-744, he thus describes the prize assigned by Achilles for the foot race at the funeral of Patroclus -

"A bowl of solid silver, deftly wrought,
That held six measures, and in beauty far
Surpassed whatever else the world could boast;
Since men of Sidon, skilled in glyptic art,
Had made it, and Phoenician mariners
Had brought it with them over the dark sea." (See also his description of Menelaus' gift to Telemachus, Od. 4:614-618.) Hiram, the Phoenician artificer, lent by the king of Type to Solomon, was specially skilled in such work (2 Chronicles 2:14). "In the plain of Jordan, in the clay ground between Succoth and Zarthan," he cast these two great bronze pillars, each 17.5 cubits high, with capitals five cubits high, adorned with pomegranates, and "nets of checker work, and wreaths of chain work." They were placed on the right and left of the porch of the temple, and probably were not obelisks, but were necessary as "pillars" to support the roof, which was thirty feet in width. That these were symbolic is evident from their names, which may be rendered, "Stability" and" Strength." The reference is not so much to the material building, but to the kingdom of God in Israel, which was embodied in the temple. They pointed then, and now, to the beauty and strength of the dwelling of God.

I. THE FASHIONING OF THE PILLARS. Made of bronze cast in the earth. None but the initiated would expect such an issue from such a process. Picture the anxiety of those in charge when the morea was constructed, when the metal was molten, etc. Apply to the anxiety and care of those rearing the spiritual temple.

1. They were the product of human skill. This skill was devoutly recognized as the of God. Compare ver. 14 with the description of Bezaleel's artistic "gifts." If wisdom of that kind is from God, how much more is the highest wisdom needed for the upbuilding of the true temple (1 Corinthians 3:12-17). Turn to the promises of the Holy Spirit to the apostles, and of wisdom to all who seek. Refer to times of difficulty and anxiety in which only this heavenly help could avail the teachers and rulers of the Church. Observe such expressions as that in which Paul speaks of himself as "a wise master builder." Indicate special gifts still required by those who succeed to this work. "If any man lack wisdom let him ask of God," etc.

2. They were the result of marvellous diligence. Years and generations of effort had made these artificers what they were, and now daily they applied themselves to their toil, nor was it without reward. Nothing great can be attained in this world without work. God has not made things pleasant by ordaining that the way to them should be easy, but He has made them precious by ordaining that the way should be hard. The hardships endured by miners, pearl divers, agricultural labourers, etc. The strenuous toil of the student, the man of business, the explorer, the scientist, etc. No wonder that in the highest sphere diligence is essential. It is required for the upbuilding of our Christian character; e.g., "Give diligence to to make your calling... sure," etc. "Work out your own salvation," etc., "Not as though I had already attained," etc. Similar diligence is required by the Church for the evangelization of the world. Contrast the diligence shown in other pursuits with the indolence in this.

3. They were the product of combined effort. The wealth of Solomon was added to the skill of Hiram. Observe the diversity of workmen essential for the designing, moulding, fashioning, uprearing of these pillars. Each did his own work, did it heartily, completely. All was not equally honourable, easy, remunerative; yet none neglected his share of the toil. Speak of the millions now constructing God's spiritual temple; how the various races of men, how the differing sects of Christians, how the peculiar tastes and gifts of individuals, are rearing "the house not made with hands," "the habitation of God, through the Spirit."

II. THE SYMBOLISM OF THE PILLARS.

1. Stability (Jachin). In this the temple was a contrast to the tabernacle. Yet even the temple and all that was material of the old worship passed away to make room for the spiritual realities which abide eternally. In Hebrews 12:27 we read of "the removing of those things that are shaken, as of things that are made, that those things which cannot be shaken may remain." Show how, amidst the fall of empires, the Church has lived, in spite of all that evil powers could do (Matthew 16:18). Speak of the safety, for time and eternity, of those who are in Christ (John 10:28), etc.

2. Strength. The Church needs more than endurance, it wants vigour. Resistance must be supplemented by aggression. Far more than the Jewish Church the Christian Church is to be characterized by this. The apostles were not merely to hold their own, but to go "into all the world, and preach the gospel to every creature." Only the active Church, only the active Christian, has a robust and wholesome life. Let "Boaz" stand beside "Jachin."

3. Beauty. The lilies and pomegranates adorning the pillars not only showed that there should be beauty in the worship of God, and that the noblest art should be consecrated to Him, but symbolized the truth declared in Psalm 96:6, "Strength and beauty are in His sanctuary." Strength needs beauty to adorn it. Beauty needs strength to support it. Illustration: the ivy clustering round the oak. Let the courageous man be gentle; the stalwart man tender; the sweet girl morally strong, etc. If we would have it so, we shall find those graces in the holy place of God, the sacred place of prayer, whether public or secret, for strength and beauty are in His sanctuary. Emblems of stability and strength, yet exquisite in their beauty, let Jachin and Boaz, in the porch of the temple, remind us of what God would see in the Christian Church, and in every Christian character. - A.R.

I. HIRAM WAS A BORN MASTER BUILDER. The influence of heredity needs no more signal illustration. He combines his mother's heart and his father's mind. Strange, that in a correspondence between Eastern kings of antiquity, with whom woman's fame was of less than cypher value, Hiram's mother should be mentioned at all; stranger still, that the premier place is given to her, implying that, while both parents were eminent, the mother was pre-eminent. Who was she? "A woman of the daughters of Dan" (2 Chronicles 2:13, 14). The Danites bore the brunt of all the Sidonian incursions, until, driven from hearth and home for refuge to the hills, privation and isolation but varied the form of the disasters that dogged them. Finally, submitting to capture or surrender, they were taken across the border into Tyre to suffer further ignominy amid alien surroundings. But never did the sons and daughters of Dan forget their tribal ancestry or affinities. Their traditions and Pride became a splendid inheritance, and their faith sustained them under the sharpest persecution. Even their oppressors grew to respect them, and permitted them to thrive in their midst. Hiram's mother had the tribal grit, the unswerving courage of her people, so that when named at the Tyrian Court, it is as "a woman of the daughters of Dan." And, in his letter to Solomon, Hiram the King lets drop this bit of feminine biography that is a tribute to her fine fidelity to conscience. Do not think that this passes in the record as of no account. You can prophesy with tolerable certainty as to Hiram's future when you read his mother's story, and you can as surely anticipate as much for every child of promise whose mother is true to the form of faith that holds her to the people of God — call it what you will, whether Danism or Methodism. Keep your eyes open for these embryo workers, who are, like poets, born, not made. It is the self-constituted man we want. It is character, and not birth, that mainly tells. The river has its source in the mountain torrent, but the true test of its strength is in the assimilative power with which, while preserving its identity, it absorbs its tributaries. Therefore we judge Hiram as we would judge ourselves, at the bar of self-examination — and he emerges from the ordeal admirable.

II. HIRAM THE MASTER BUILDER HAD A MASTERMIND.

1. He was a cunning man. When the Saxons said a man was "cunnen" they meant that he was knowing — that he had his wits about him. And they implied more. The root of the word obtained amongst the Latins also. It means a wedge, and we get its signification in the word cuneated, which precisely hits off the disposition of the man Hiram. He was a wedge-shaped man. Let opportunity give him but the smallest conceivable opening, and in he went, especially if the hammer of necessity but tapped home the wedge. Every Christian worker should be of wedge-shaped character.

2. Hiram, the cunning man, was endued with understanding. To have an understanding is to be able to get to the bottom of things; and to Re endued with understanding, as Hiram was, is to exercise this faculty from circumference to centre. It means that he had not only a mental bias, but also a mental equipment, thoroughly comprehensive.

III. HIRAM OF THE MASTER MIND WAS ALSO A MASTER CRAFTSMAN.

1. Hiram wrought in gold, to him the most precious of metals; of supreme quality, of standard value, capable of sovereign impress, non-rusting, non-corroding. Gold is the one mineral that does not depreciate; it is immutable amid all change of time and circumstance; it is gold — always gold. This he used for overlay work, for the decoration of the holy place, and for the consecrated vessels. We, too, work in gold when we work in Divine truth. We cannot alter the material, but do we make its presentation attractive or repellant? Is the image and superscription of the King upon it? When we use it in the holy place, does it shine as the wings of a seraph or an overlaid panel would when Hiram wrought? Are the "vessels unto honour sanctified, and meet for the Master's use"?

2. Hiram wrought also in silver — fair and chaste. Silver is subject to market fluctuation, but it is increased manifold in value when it receives a sovereign impression. It is the rich man's plenty, and the poor man's wealth. We, too, work in silver, when we serve in human sympathy, that is brightened by use, and that, when beautified with the Divine likeness, as "the liquid drops of tears that you have shed," "brings ten times double gain of happiness." And, when you work your silver into the Gospel trumpet, the world will hear sounds that for thrill and cadence will rival the music of a thousand harps.

3. Hiram wrought in brass. The word is used technically for a compound of metals, that should be rendered bronze. It is a fusion of copper — the only alloy with gold — and tin. And our thoughts, like the sea, must be wide and deep, generous and cleansing. Join prayer and thought, and you will get a spiritual amalgam of the utmost use in temple service.

4. Hiram wrought in iron, that is rough, resistant, obdurate; but in his hands it became ductile, and exceeding serviceable. When we forge these our wills, we, too, toil in iron. Proud, repellant, unlovely they are; yet, when, by the grace of God, they become wrought-work, they are marvels of resource, strength, control, support.

5. He worked upon stone, rugged and hard; but, by patient continuance in well-doing, he formed the useful block that helped to make the temple, and brought out upon it the artistic form and beauty of the sculptured decoration. This is just what we do.

6. Hiram wrought upon timber, that supported the roof, that panelled the holy place, that formed the tables for the shewbread, which was the symbol for the bread of life.

7. Hiram wrought upon textiles, and in their subdued colours he could see mysteries. Perhaps only mysteries; whereas, to you and me, the mysteries seem revealed. But, small blame to the worker Hiram. It was the purpose of his dispensation to make the marvel, and sustain it.

IV. HIRAM HAD THE MASTER SPIRIT. He came to Solomon a man skilful "to grave every manner of graving, and to find out every manner of device." Nothing issues from his master mind that is not a sublimely pure conception; the Divine touch glorifies everything he fashions. That is true sacrifice; it is the master art, and you know it to be true, for it is your Master's art.

V. FOR SUCH SERVICE AS HIRAM'S, WHAT WAS THE REWARD? No man labours as he did without recognition, for no man serves God for naught. The upraised temple; its outer ornamentation; its inner splendour; its acknowledgment of the people; the accepted sacrifice, and the consummate approval of the Divine presence — surely these tokens were enough? Shall we each be a master builder? Then let us remember that he who would seek to fulfil this high calling must have a master mind; that he who would have the master mind must have the Master's spirit; that he who would have the Master's spirit must be much in the presence of the Master. There, amid the silences, he will hear the Master's voice: there are the hidden victories that overcome the world.

(J. R. Jackson.)