Psalm 137:6

If I do not remember thee, let my tongue cleave to the roof of my mouth; if I prefer not Jerusalem above my chief joy.

EXPOSITORY (ENGLISH BIBLE)

Matthew Henry's Concise Commentary

137:5-9 What we love, we love to think of. Those that rejoice in God, for his sake make Jerusalem their joy. They stedfastly resolved to keep up this affection. When suffering, we should recollect with godly sorrow our forfeited mercies, and our sins by which we lost them. If temporal advantages ever render a profession, the worst calamity has befallen him. Far be it from us to avenge ourselves; we will leave it to Him who has said, Vengeance is mine. Those that are glad at calamities, especially at the calamities of Jerusalem, shall not go unpunished. We cannot pray for promised success to the church of God without looking to, though we do not utter a prayer for, the ruin of her enemies. But let us call to mind to whose grace and finished salvation alone it is, that we have any hopes of being brought home to the heavenly Jerusalem.

Barnes' Notes on the Bible

If I do not remember thee - Equivalent to, "If I forget thee." If I ever fail to remember thee; if I shall ever act as if I had forgotten thee. Singing in a strange land, among those who had perpetrated such wrongs in thee - appearing to be happy, cheerful, joyous, happy, merry there - would be understood to imply that I had ceased to remember thee, and cared nothing for thee.

Let my tongue cleave to the roof of my mouth - Compare Ezekiel 3:26. Let me be unable to speak; let my tongue be as it were attached to the upper part of the mouth, so that it could not be used. If I employ it in an unworthy purpose - in any way whereby it can be inferred that I have ceased to remember my native land, and the city of our solemnities, let my tongue be ever after useless. This language is often employed by Virgil: Vox faucibus haesit.

If I prefer not Jerusalem - literally, "If I do not cause to ascend." That is, If I do not exalt Jerusalem in my estimation above everything that gives me pleasure; if I do not find my supreme happiness in that.

Above my chief joy - Margin, as in Hebrew, the head of my joy. The chief thing which gives me joy; as the head is the chief, or is supreme over the body. This is expressive of a great truth in regard to religion. Anything else - everything else - is to be sooner sacrificed than that. The happiness which is found in religion is superior to that found in every other source of enjoyment, and is preferred to every other. If either is to be sacrificed - the joy of religion, or the pleasure derived from society, from the frivolous world, from literature, from music, from dancing, from works of art - it will be the latter and not the former. There are other sources of joy which are not in any way inconsistent with religion: the joy of friendship; of domestic life; of honorable pursuits of the esteem of people. So of music, the arts, gardens, literature, science. But when one interferes with the other, or is inconsistent with the other, the joy of the world is to be sacrificed to the joy of religion. When the joy of religion is sacrificed for the joy of the world, it proves that there is no true piety in the soul. Religion, if it exists at all, will always be supreme.

Jamieson-Fausset-Brown Bible Commentary

5, 6. For joyful songs would imply forgetfulness of their desolated homes and fallen Church. The solemn imprecations on the hand and tongue, if thus forgetful, relate to the cunning or skill in playing, and the power of singing.

Matthew Poole's Commentary

Remember thee with affection and sympathy, so as to damp my joys.

Cleave to the roof of my mouth; be made uncapable of singing, or speaking, or moving, as it is in some diseases. Compare Job 29:10 Psalm 22:15. If I prefer not Jerusalem above my chief joy; if I do not value and desire Jerusalem’s prosperity more than all other delights, and consequently if Jerusalem’s misery doth not so deeply affect me as to hinder my delight in all other things.

Gill's Exposition of the Entire Bible

If I do not remember thee,.... In prayer, in discourse, in conversation; this is the same as before, to forget, repeated for the confirmation of it;

let my tongue cleave to the roof of my mouth; as is the case of a person in a fever, or in a violent thirst, which is to be in great distress, Psalm 18:6; the sense is, let me have no use of my tongue; let me be dumb and speechless, and never sing a song or speak a word more, should I be so forgetful of the deplorable state of Jerusalem as to sing songs at such a season, and in an enemy's country;

if I prefer not Jerusalem above my chief joy; meaning not God his exceeding joy, Psalm 43:4; as his Creator, preserver, and benefactor, and much less as his covenant God and Father; as having loved him with an everlasting love; as the God of all grace unto him, and as his portion and exceeding great reward: nor Christ, the object of joy unspeakable and full of glory; joy in the greatness, glory, and fulness of his person; in the blessings and promises of his grace; in what he has done and suffered; as risen, ascended, exalted, and who will come a second time: nor the joy of the Holy Ghost in a way of believing, and in hope of the glory of God; but all worldly joy, or matter of it; and this not in things sinful, nor merely such as worldlings have in the increase of their substance; but a lawful joy, such as in the health, happiness, and prosperity of a man's family, wife, and children, and his own; which is the greatest outward joy a man can have; and yet the church of God and interest of Christ are preferred by a good man to these; see 1 Samuel 4:19; which appears when all a man has that is matter of joy is sacrificed for the public good and interest of religion; when he can take no comfort in any outward enjoyment because of the sad case of Zion, Malachi 2:3; when joy for its good is uppermost, and is first in his thoughts and words; when this is the "head" or "beginning" (g) of his joy, as it may be rendered. So Pindar (h) calls the chief, principal, and greatest part of joy, , the beginning of joy, the top and perfection of it.

(g) "caput laetitiae meae", Musculus, Junius & Tremellius, Piscator, Gejerus. (h) Pythia, Ode 1. v. 4.

Geneva Study Bible

If I do not remember thee, let my tongue cleave to the roof of my mouth; if I prefer not Jerusalem above my {e} chief joy.

(e) The decay of God's religion in their country was so grievous that no joy could make them glad, unless it was restored.

EXEGETICAL (ORIGINAL LANGUAGES)

Cambridge Bible for Schools and Colleges

6. Let my tongue cleave to the roof of my mouth,

If I remember thee not (R.V.).

Let all power of speech and song desert me. Cp. Job 29:10.

if I prefer not &c.] Lit. if I exalt not Jerusalem above my chiefest joy: i.e. if I do not regard J. as dearer to me than aught else.

Pulpit Commentary

Verse 6. - If I do not remember thee, let my tongue cleave to the roof of my mouth. Let me be deprived of the power of song. What was wished in the preceding verso with respect to the power of instrumental performance is here wished with respect to the vocal organs. If I prefer not Jerusalem above my chief joy. This seems to be the true sense, and is equivalent to "If I prefer not Jerusalem above aught else." Psalm 137:6

Keil and Delitzsch Biblical Commentary on the Old Testament

Beginning with perfects, the Psalm has the appearance of being a Psalm not belonging to the Exile, but written in memory of the Exile. The bank of a river, like the seashore, is a favourite place of sojourn of those whom deep grief drives forth from the bustle of men into solitude. The boundary line of the river gives to solitude a safe back; the monotonous splashing of the waves keeps up the dull, melancholy alternation of thoughts and feelings; and at the same time the sight of the cool, fresh water exercises a soothing influence upon the consuming fever within the heart. The rivers of Babylon are here those of the Babylonian empire: not merely the Euphrates with its canals, and the Tigris, but also the Chaboras (Chebar) and Eulaeos ('Ulai), on whose lonesome banks Ezekiel (Ezekiel 1:3) and Daniel (ch. Daniel 8:2) beheld divine visions. The שׁם is important: there, in a strange land, as captives under the dominion of the power of the world. And גּם is purposely chosen instead of ו: with the sitting down in the solitude of the river's banks weeping immediately came on; when the natural scenery around contrasted so strongly with that of their native land, the remembrance of Zion only forced itself upon them all the more powerfully, and the pain at the isolation from their home would have all the freer course where no hostilely observant eyes were present to suppress it. The willow (צפצפה) and viburnum, those trees which are associated with flowing water in hot low-lying districts, are indigenous in the richly watered lowlands of Babylonia. ערב (ערבה), if one and the same with Arab. grb, is not the willow, least of all the weeping-willow, which is called ṣafsâf mustahı̂ in Arabic, "the bending-down willow," but the viburnum with dentate leaves, described by Wetzstein on Isaiah 44:4. The Talmud even distinguishes between tsaph-tsapha and ‛araba, but without our being able to obtain any sure botanic picture from it. The ערבה, whose branches belong to the constituents of the lulab of the Feast of Tabernacles (Leviticus 23:40), is understood of the crack-willow [Salix fragilis], and even in the passage before us is surely not distinguished with such botanical precision but that the gharab and willow together with the weeping-willow (Salix Babylonica) might be comprehended under the word ערבה. On these trees of the country abounding in streams the exiles hung their citherns. The time to take delight in music was past, for μουσικὰ ἐν πένθει ἄκαιρος διήγησις, Sir. 22:6. Joyous songs, as the word שׁיר designates them, were ill suited to their situation.

In order to understand the כּי in Psalm 137:3, Psalm 137:3 and Psalm 137:4 must be taken together. They hung up their citherns; for though their lords called upon them to sing in order that they might divert themselves with their national songs, they did not feel themselves in the mind for singing songs as they once resounded at the divine services of their native land. The lxx, Targum, and Syriac take תּוללינוּ as a synonym of שׁובינוּ, synonymous with שׁוללינוּ, and so, in fact, that it signifies not, like שׁולל, the spoiled and captive one, but the spoiler and he who takes other prisoners. But there is no Aramaic תּלל equals שׁלל. It might more readily be referred back to a Poel תּולל ( equals התל), to disappoint, deride (Hitzig); but the usage of the language does not favour this, and a stronger meaning for the word would be welcome. Either תּולל equals תּהולל, like מהולל, Psalm 102:9, signifies the raving one, i.e., a bloodthirsty man or a tyrant, or from ילל, ejulare, one who causes the cry of woe or a tormentor, - a signification which commends itself in view of the words תּושׁב and תּלמיד, which are likewise formed with the preformative ת. According to the sense the word ranks itself with an Hiph. הוליל, like תּועלת, תּוכחה, with הועיל and הוכיח, in a mainly abstract signification (Dietrich, Abhandlungen, S. 160f.). The דּברי beside שׁיר is used as in Psalm 35:20; Psalm 65:4; Psalm 105:27; Psalm 145:5, viz., partitively, dividing up the genitival notion of the species: words of songs as being parts or fragments of the national treasury of song, similar to משּׁיר a little further on, on which Rosenmller correctly says: sacrum aliquod carmen ex veteribus illis suis Sionicis. With the expression "song of Zion" alternates in Psalm 137:4 "song of Jahve," which, as in 2 Chronicles 29:27, cf. 1 Chronicles 25:7, denotes sacred or liturgical songs, that is to say, songs belonging to Psalm poesy (including the Cantica).

Before Psalm 137:4 we have to imagine that they answered the request of the Babylonians at that time in the language that follows, or thought thus within themselves when they withdrew themselves from them. The meaning of the interrogatory exclamation is not that the singing of sacred songs in a foreign land (חוצה לארץ) is contrary to the law, for the Psalms continued to be sung even during the Exile, and were also enriched by new ones. But the shir had an end during the Exile, in so far as that it was obliged to retire from publicity into the quiet of the family worship and of the houses of prayer, in order that that which is holy might not be profaned; and since it was not, as at home, accompanied by the trumpets of the priests and the music of the Levites, it became more recitative than singing properly so called, and therefore could not afford any idea of the singing of their native land in connection with the worship of God on Zion. From the striking contrast between the present and the former times the people of the Exile had in fact to come to the knowledge of their sins, in order that they might get back by the way of penitence and earnest longing to that which they had lost Penitence and home-sickness were at that time inseparable; for all those in whom the remembrance of Zion was lost gave themselves over to heathenism and were excluded from the redemption. The poet, translated into the situation of the exiles, and arming himself against the temptation to apostasy and the danger of denying God, therefore says: If I forget thee, O Jerusalem, ימיני תּשׁכּח. תּשׁכּח has been taken as an address to Jahve: obliviscaris dexterae meae (e.g., Wolfgang Dachstein in his song "An Wasserflssen Babylon"), but it is far from natural that Jerusalem and Jahve should be addressed in one clause. Others take ימיני as the subject and תּשׁכּח transitively: obliviscatur dextera mea, scil. artem psallendi (Aben-Ezra, Kimchi, Pagninus, Grotius, Hengstenberg, and others); but this ellipsis is arbitrary, and the interpolation of מנּי after ימיני (von Ortenberg, following Olshausen) produces an inelegant cadence. Others again assign a passive sense to תשׁכח: oblivioni detur (lxx, Italic, Vulgate, and Luther), or a half-passive sense, in oblivione sit (Jerome); but the thought: let my right hand be forgotten, is awkward and tame. Obliviscatur me (Syriac, Saadia, and the Psalterium Romanum) comes nearer to the true meaning. תּשׁכּח is to be taken reflexively: obliviscatur sui ipsius, let it forget itself, or its service (Amyraldus, Schultens, Ewald, and Hitzig), which is equivalent to let it refuse or fail, become lame, become benumbed, much the same as we say of the arms of legs that they "go to sleep," and just as the Arabic nasiya signifies both to forget and to become lame (cf. Gesenius, Thesaurus, p. 921b). La Harpe correctly renders: O Jerusalem! si je t'oublie jamais, que ma main oublie aussi le mouvement! Thus there is a correspondence between Psalm 137:5 and Psalm 137:6 : My tongue shall cleave to my palate if I do not remember thee, if I do not raise Jerusalem above the sum of my joy. אזכּרכי has the affixed Chirek, with which these later Psalms are so fond of adorning themselves. ראשׁ is apparently used as in Psalm 119:160 : supra summam (the totality) laetitiae meae, as Coccejus explains, h.e. supra omnem laetitiam meam. But why not then more simply על כּל, above the totality? ראשׁ here signifies not κεφάλαιον, but κεφαλή: if I do not place Jerusalem upon the summit of my joy, i.e., my highest joy; therefore, if I do not cause Jerusalem to be my very highest joy. His spiritual joy over the city of God is to soar above all earthly joys.