4734. miqlaath
Lexical Summary
miqlaath: Covering, shelter

Original Word: מִקְלַעַת
Part of Speech: Noun Feminine
Transliteration: miqla`ath
Pronunciation: mik-LAHTH
Phonetic Spelling: (mik-lah'-ath)
KJV: carved (figure), carving, graving
NASB: carved, carvings, engravings
Word Origin: [from H7049 (קָלַע - To sling)]

1. a sculpture (probably in bas-relief)

Strong's Exhaustive Concordance
carved figure, carving, graving

From qala'; a sculpture (probably in bas-relief) -- carved (figure), carving, graving.

see HEBREW qala'

NAS Exhaustive Concordance
Word Origin
from qala
Definition
carving
NASB Translation
carved (1), carvings (1), engravings (1).

Brown-Driver-Briggs
מִקֶלַ֫עַת noun feminine carving; — construct ׳מ 1 Kings 6:18; plural absolute מִקְלָעוֺת, 1 Kings 7:31; construct מִקְלְעוֺת (after קָלַע) 1 Kings 6:29,32.

קְלֹקֵל see קלל. above

Topical Lexicon
Overview of the Term

מִקְלַעַת refers to a decorative carving associated exclusively with Solomon’s Temple furnishings. It describes a series of intricate reliefs—often rendered in English as “gourd-shaped ornaments” or “gourd-like knops”—that were cut into the cedar and bronze work. The word’s limited distribution highlights its technical nature and the specialised craftsmanship employed in the construction of the First Temple.

Occurrences within Solomon’s Temple Narrative

1 Kings 6:18 introduces the term in connection with the cedar panelling that lined the inner sanctuary: “The cedar inside the temple was carved in the shape of gourds and open flowers”. Verse 29 confirms the same motif on the walls, while verse 32 places it on the doors to the inner sanctuary. Outside the main structure, 1 Kings 7:31 applies the motif to the bronze stands of the great court. In every case, מִקְלַעַת appears alongside imagery of flowers, cherubim and palm trees, linking the gourd motif to a broader Edenic tapestry.

Artistic and Architectural Significance

Gourd-shaped carvings carried symbolic and practical importance in the Ancient Near Eastern world. Gourds were natural water vessels in a dry climate, evoking life and refreshment. Their rhythmic repetition in the Temple reinforced an atmosphere of ordered beauty. The craftsman Hiram of Tyre (1 Kings 7:13-14) would have been familiar with Phoenician ornamental vocabularies, yet the biblical writer singles out these carvings to demonstrate that Israel’s sanctuary surpassed pagan temples both in skill and in theology. The carvings were not merely embellishments; they were covenant art, proclaiming the Lord’s intention to renew creation through His royal house.

Symbolic Theology

1. Life and Provision: Just as a gourd stores water, the Temple stored the testimony and presence of God, a spring of life for His people (Psalm 36:9).
2. Order and Beauty: The rhythmic gourds declare that the God who ordered Eden orders worship (1 Corinthians 14:33).
3. Anticipation of Restoration: The floral-gourd-cherub triad recalls Genesis 2–3 and foreshadows Revelation 22:1-2, where the Tree of Life reappears amid flowing water.

Intertextual Echoes and Biblical Unity

Though מִקְלַעַת itself is confined to 1 Kings, its imagery resonates elsewhere. Numbers 11:5 remembers “the cucumbers, melons, leeks,” pointing to the Covenant Lord who provides in deserts. Jonah 4:6 records a plant God appointed for shade, underscoring themes of divine compassion. The Temple’s gourds subtly gather these threads, presenting a gallery of scriptural allusions that bind Law, Prophets and Writings together.

Implications for Worship and Ministry Today

• Craft Excellence: The Spirit of God still equips artisans (Exodus 31:1-5). Congregations should encourage craftsmanship that channels beauty toward the praise of Christ.
• Theological Aesthetics: Worship spaces communicate doctrine. Thoughtfully placed symbols—whether carved wood, stone, or digital art—can teach truth before a word is spoken.
• Embodied Memory: The gourds served as visible catechism, embedding Israel’s account in cedar and bronze. Modern discipleship likewise benefits from tangible reminders of redemption: communion vessels, baptismal fonts, even the architecture of a sanctuary.
• Eschatological Hope: Each gourd carved into Solomon’s Temple hinted at a future garden-city. Believers labour today with that same hope, knowing “your labour in the Lord is not in vain” (1 Corinthians 15:58).

Conclusion

מִקְלַעַת stands as a testament that no detail in Scripture is superfluous. Even a specialised term for Temple carvings points to the Lord who fills His house with life, order and beauty, inviting His people into the greater Temple of the risen Christ.

Forms and Transliterations
מִקְלְע֨וֹת מִקְלְעוֹת֙ מִקְלַ֣עַת מִקְלָע֔וֹת מקלעות מקלעת mikLaat miklaot mikleOt miq·la·‘aṯ miq·lā·‘ō·wṯ miq·lə·‘ō·wṯ miqla‘aṯ miqlā‘ōwṯ miqlə‘ōwṯ
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Interlinear GreekInterlinear HebrewStrong's NumbersEnglishman's Greek ConcordanceEnglishman's Hebrew ConcordanceParallel Texts
Englishman's Concordance
1 Kings 6:18
HEB: הַבַּ֙יִת֙ פְּנִ֔ימָה מִקְלַ֣עַת פְּקָעִ֔ים וּפְטוּרֵ֖י
NAS: within, carved [in the shape] of gourds
KJV: within [was] carved with knops
INT: the house within carved gourds open

1 Kings 6:29
HEB: קָלַ֗ע פִּתּוּחֵי֙ מִקְלְעוֹת֙ כְּרוּבִ֣ים וְתִֽמֹרֹ֔ת
KJV: with carved figures of cherubims
INT: carved carved figures of cherubim palm

1 Kings 6:32
HEB: וְקָלַ֣ע עֲ֠לֵיהֶם מִקְלְע֨וֹת כְּרוּבִ֧ים וְתִמֹר֛וֹת
NAS: and he carved on them carvings of cherubim,
KJV: and he carved upon them carvings of cherubims
INT: carved on carvings of cherubim palm

1 Kings 7:31
HEB: עַל־ פִּ֙יהָ֙ מִקְלָע֔וֹת וּמִסְגְּרֹתֵיהֶ֥ם מְרֻבָּע֖וֹת
NAS: on its opening [there were] engravings, and their borders
KJV: and also upon the mouth of it [were] gravings with their borders,
INT: on opening engravings and their borders were square

4 Occurrences

Strong's Hebrew 4734
4 Occurrences


miq·la·‘aṯ — 1 Occ.
miq·lā·‘ō·wṯ — 1 Occ.
miq·lə·‘ō·wṯ — 2 Occ.

4733
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