Isaiah 21:1
This is the burden against the Desert by the Sea: Like whirlwinds sweeping through the Negev, an invader comes from the desert, from a land of terror.
Sermons
The Effect of God's Judgments on the Good and on the GuiltyW. Clarkson Isaiah 21:1-9
Fall of BabylonE. Johnson Isaiah 21:1-10
The Burden of the Desert of the SeaG. Matheson, D. D.Isaiah 21:1-10
The Desert of the SeaSir E. Strachey, Bart.Isaiah 21:1-10
The Persian Advance on BabylonJ. A. Alexander.Isaiah 21:1-10
The Persian Aversion to ImagesJ. A. Alexander.Isaiah 21:1-10
The Prophecy Against BabylonDean Farrar, D. D.Isaiah 21:1-10














It is thought, by some recent commentators, that the description refers to the siege of Babylon in B.C. 710 by Sargon the Assyrian. The King of Babylon at that time was Merodach-Baladan, who sent letters and a present to Hezekiah when he was sick (Isaiah 39:1; 2 Kings 20:12). The prophet may well grieve over the fall of Babylon, as likely to drag down with it weaker kingdoms.

I. THE SOUND OF THE TEMPEST. What sublime poesy have the prophets found in the tempest! We are perhaps impressed more through the perception of the ear than that of the eye, by the sense of vague, vast, overwhelming power working through all the changes of the world. The sweeping up of a tempest from the southern dry country of Judah is like the gathering of a moles belli, and this, again betokens that Jehovah of hosts is stirring up his might in the world unseen. Hence his arrows go forth like lightning, his trumpet blows (Zechariah 9:14). This movement comes from the terrible land, the desert, the haunt of serpents and other horrible creatures.

II. THE VISION OF CALAMITY. The march of the barbarous conqueror is marked by cruelty and devastation. The prophet's heart is overpowered within him. He writhes with anguish as in the visions of the even-tide the picture of Babylon's fall passes before his mind. He beholds a scene of rivalry. There is feasting and mirth. We are reminded of that description which De Quincey adduced as an example of the sublime: "Belshazzar the king made a great feast unto a thousand of his lords, and drank wine before the thousand" (Daniel 5:1); and of Byron's description of the eve of the battle of Waterloo at Brussels. Suddenly an alarm is given; the walls have been stormed, the palace is threatened; the banqueters must start from the couch and exchange the garb of luxury for the shield and the armor. The impression of the picture is heightened by the descriptions in Herodotus (1. 191) and Xenophon ('Cyrop.,' 7:5), whether they refer to the same event or no. It is the picture of careless ease and luxury surprised by sudden terror. "Let us go against them," says Cyrus in Xenophon. "Many of them are asleep, many intoxicated, and all of them unfit for battle." The scene, then, may be used parabolically to enforce those lessons of temperance, of watchfulness, of sobriety, and prayerfulness which our religion inculcates.

III. THE WATCHMAN. The word of Jehovah directs that a watchman shall be posted, the prophet "dividing himself into two persons" - his own proper person and that of the speculator or scout upon the height of the watch-tower. So Habakkuk "stands upon his watch, and sets him upon the tower" (Habakkuk 2:1). And what does the prophet see? Cavalry riding two abreast, some on horses, others on asses, others (with the baggage) on camels. This he sees; but he hears no authentic tidings of distant things, though straining his ear in utmost tension. Then he groans with the deep tones of the impatient lion. How long is he to remain at his post? We cannot but think of the fine opening of the 'Agamemnon' of AEschylus, where the weary warder soliloquizes -

"The gods I ask deliverance from these labors,
Watch of a year's length, whereby, slumbering thro' it
On the Atreidai's roof on elbow, dog-like,
I know of mighty star-groups the assemblage,
And those that bring to men winter and summer."


(R. Browning's translation.) As he waits for "the torch's token and the glow of fire," so does Isaiah wait for certain news about Babylon. And, no sooner is the plaint uttered, than the wish is realized. The watchman sees a squadron of cavalry, riding two abreast, and the truth flashes on him - Babylon is fallen! The images, symbols of the might of the city, protected by the gods they represented, are dashed to the ground and broken. What was felt under such circumstances may be gathered by the student of Greek history from the awful impression made, on the eve of the expedition to Sicily, by the discovery of the mutilation of the statues of the Hermai. It is all over with Babylon.

IV. THE ANGUISH OF THE PATRIOT. "O my threshed and winnowed one!" Poor Israel, who has already suffered so much from the Assyrian, how gladly would the prophet have announced better tidings! The threshing-floor is an image of suffering, and not confined to the Hebrews. It may be found in old Greek lore, and in modern Greek folk-poesy. No image, indeed, can be more expressive (comp. Isaiah 41:15; Micah 4:12, 13; Jeremiah 51:33). "But love also takes part in the threshing, and restrains the wrath."

V. GENERAL LESSONS. The Christian minister is, too, a watcher. He must listen and he must look. There are oracles to be heard by the attentive ear, breaking out of the heart of things - hints in the distance to be caught by the wakeful and searching eye. "They whom God has appointed to watch are neither drowsy nor dim-sighted. The prophet also, by this example, exhorts and stimulates believers to the same kind of attention, that by the help of the lamp of the Word they may obtain a distant view of the power of God." - J.

The burden of the desert of the sea.
This enigmatical name for Babylon was no doubt suggested by the actual character of the country in which the city stood. It was an endless breadth or succession of undulations "like the sea," without any cultivation or even any tree: low, level, and full of great marshes; and which used to be overflowed by the Euphrates, till the whole plain became a sea, before the river was banked in by Semiramis, as Herodotus says. But the prophet may allude also to the social and spiritual desert which Babylon was to the nations over which its authority extended, and especially to the captive Israelite; and perhaps, at the same time, to the multitude of the armies which it poured forth like the waters of the sea.

(Sir E. Strachey, Bart.)

It is a magnificent specimen of Hebrew poetry in its abrupt energy and passionate intensity. The prophet is, or imagines himself to be, in Babylon. Suddenly he sees a storm of invasion sweeping down through the desert, which fills him with alarm. Out of the rolling whirlwind troops of armed warriors flash into distinctness. A splendid banquet is being held in the great Chaldean city; the tables are set, the carpets are spread; they eat, they drink, the revel is at its height. Suddenly a wild cry is heard, "Arise, ye princes, anoint the shield!" — in other words, the foe is at hand. "Spring up from the banquet, smear with" oil the leathern coverings of your shields that the blows of the enemy may slide off from them in battle. The clang of arms disturbs the Babylonian feast. The prophet sitting, as it were an illuminated spirit, as a watchman upon the tower calls aloud to ask me cause of the terror. What is it that the watchman sees? The watchman, with deep, impatient groan, as of a lion, complains that he sees nothing; that he has been set there, apparently for no purpose, all day and all night long. But even as he speaks there suddenly arises an awful need for his look-out. From the land of storm and desolation, the desert between the Persian Gulf and Babylon, he sees a huge and motley host, some mounted on horses, some on asses, some on camels, plunging forward through the night. It is the host of Cyrus on his march against Babylon. In the advent of that Persian host he sees the downfall of the dynasty of Nebuchadnezzar and the liberation of Judah from her exile. On the instant, as though secure of victory, he cries out, "Babylon is fallen." And he, that is, Cyrus the Persian king, a monotheist though he be, a worshipper of fire and the sun, has dashed in pieces all the graven images of the city of Nimrod. Then he cries to his fellow exiles in Babylonian captivity, "O my people, crushed and trodden down" — literally, "O my grain, and the son of my threshing floor" — "this is my prophecy for you; it is a prophecy of victory for your champions; it is a prophecy of deliverance for yourselves."

(Dean Farrar, D. D.)

(vers. 7, 9): — It is a slight but obvious coincidence of prophecy and history that Xenophon represents the Persians advancing by two and two.

(J. A. Alexander.)

The allusion to idols (ver. 9) is not intended merely to remind us that the conquest was a triumph of the true God over false ones, but to bring into view the well-known aversion of the Persians to all images. Herodotus says they not only thought it unlawful to use images, but imputed folly to those who did it. Here is another incidental but remarkable coincidence of prophecy even with profane history.

(J. A. Alexander.)

There is a burden in all vast things; they oppress the soul. The firmament gives it; the mountain gives it; the prairie gives it. But I think nothing gives it like looking on the sea. The sea suggests something which the others do not — a sense of desertness. In the other cases the vastness is broken to the eye. The firmament has its stars; the mountain has its peaks; the prairie has its flowers; but the sea, where it is open sea, has nothing. It seems a strange thing that the prophet, in making the sea a symbol of life's burden, should have selected its aspect of loneliness. Why not take its storms? Because the heaviest burden of life is not its storms but its solitude. There are no moments so painful as our island moments. One half of our search for pleasure is to avoid self-reflection. The pain of solitary responsibility is too much for us. It drives the middle-aged man into fast living, and the middle-aged woman into gay living. I cannot bear to hear the discord of my own past. It appalls me; it overwhelms me; I fly to the crowd to escape my unaccompanied shadow.

(G. Matheson, D. D.)

People
Dedanites, Dumah, Elam, Isaiah, Kedar, Seir, Tema
Places
Arabia, Babylon, Dumah, Elam, Kedar, Media, Negeb, Seir, Tema
Topics
Awesome, Burden, Desert, Dreadful, Feared, Fearful, Greatly, Hurricanes, Invader, Negeb, Negev, Oracle, Pass, Passing, Rushing, South, Southland, Storm-winds, Sweep, Sweeping, Terrible, Terrifying, Terror, Waste, Whirlwinds, Wilderness, Windstorms
Outline
1. The prophet, bewailing the captivity of his people,
6. sees in a vision the fall of Babylon by the Medes and Persians.
11. Edom, scorning the prophet, is moved to repentance.
13. The set time of Arabia's calamity.

Dictionary of Bible Themes
Isaiah 21:1

     4858   whirlwind

Isaiah 21:1-17

     1421   oracles

Library
The Morning Breaketh
TEXT: "Watchman, what of the night? The watchman said, The morning cometh, and also the night."--Isaiah 21:11-12. It is very interesting to note that, whether we study the Old Testament or the New, nights are always associated with God's mornings. In other words, he does not leave us in despair without sending to us his messengers of hope and cheer. The Prophet Isaiah in this particular part of his prophecy seems to be almost broken-hearted because of the sin of the people. As one of the Scotch
J. Wilbur Chapman—And Judas Iscariot

In the Fifteenth Year of Tiberius Cæsar and under the Pontificate of Annas and Caiaphas - a Voice in the Wilderness
THERE is something grand, even awful, in the almost absolute silence which lies upon the thirty years between the Birth and the first Messianic Manifestation of Jesus. In a narrative like that of the Gospels, this must have been designed; and, if so, affords presumptive evidence of the authenticity of what follows, and is intended to teach, that what had preceded concerned only the inner History of Jesus, and the preparation of the Christ. At last that solemn silence was broken by an appearance,
Alfred Edersheim—The Life and Times of Jesus the Messiah

Letter Xlii to the Illustrious Youth, Geoffrey De Perrone, and his Comrades.
To the Illustrious Youth, Geoffrey de Perrone, and His Comrades. He pronounces the youths noble because they purpose to lead the religious life, and exhorts them to perseverance. To his beloved sons, Geoffrey and his companions, Bernard, called Abbot of Clairvaux, wishes the spirit of counsel and strength. 1. The news of your conversion that has got abroad is edifying many, nay, is making glad the whole Church of God, so that The heavens rejoice and the earth is glad (Ps. xcvi. 11), and every tongue
Saint Bernard of Clairvaux—Some Letters of Saint Bernard, Abbot of Clairvaux

Isaiah
CHAPTERS I-XXXIX Isaiah is the most regal of the prophets. His words and thoughts are those of a man whose eyes had seen the King, vi. 5. The times in which he lived were big with political problems, which he met as a statesman who saw the large meaning of events, and as a prophet who read a divine purpose in history. Unlike his younger contemporary Micah, he was, in all probability, an aristocrat; and during his long ministry (740-701 B.C., possibly, but not probably later) he bore testimony, as
John Edgar McFadyen—Introduction to the Old Testament

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