834. aulétés
Lexical Summary
aulétés: Flute player, piper

Original Word: αὐλητής
Part of Speech: Noun, Masculine
Transliteration: aulétés
Pronunciation: ow-lay-TACE
Phonetic Spelling: (ow-lay-tace')
KJV: minstrel, piper
NASB: flute-players
Word Origin: [from G832 (αὐλέω - played the flute)]

1. a flute-player

Strong's Exhaustive Concordance
flute player

From auleo; a flute-player -- minstrel, piper.

see GREEK auleo

NAS Exhaustive Concordance
Word Origin
from auleó
Definition
a flute player
NASB Translation
flute-players (2).

Thayer's Greek Lexicon
STRONGS NT 834: αὐλητής

αὐλητής, ἀυλητου, (αὐλέω), a flute-player: Matthew 9:23; Revelation 18:22. (In Greek writings from (Theognis and) Herodotus 6, 60 down.)

Topical Lexicon
Overview

Strong’s Greek 834 designates the flute-player or piper, an individual who produced music on a reed or bone flute. Though the term appears only twice in the Greek New Testament, it opens a window into biblical perspectives on music, mourning, celebration, and judgment.

Occurrences in the New Testament

1. Matthew 9:23 records professional pipers already on site when Jesus arrived at the home of the synagogue leader whose daughter had just died. Their presence underscores the speed with which first-century Jewish families secured musicians for funeral lamentation and highlights the dramatic reversal when Christ turned mourning into joy.
2. Revelation 18:22 foretells that “the sound of harpists and musicians, flutists and trumpeters, will never be heard in you again”, declaring the utter silence that will engulf Babylon when divine judgment falls. The absence of pipers symbolizes the complete removal of earthly pleasure and culture under God’s wrath.

Historical and Cultural Background

• In the Greco-Roman world flutes accompanied banquets, weddings, and public ceremonies, but in Jewish practice they were most commonly associated with funerals (Jeremiah 48:36). By the first century mourners hired at least two pipers and one wailing woman, a custom reflected in Matthew 9:23.
• The Hebrew Scriptures employ the flute (halil) in both festal rejoicing (Isaiah 30:29) and lament (1 Kings 1:40 suggests musical celebration, while Jeremiah 48:36 laments Moab). This dual function carries into the New Testament imagery.
• Archaeological finds from Second-Temple Jerusalem include bone flutes, attesting to their everyday availability.

Theological Significance in the Gospels

The mourning flutes in Matthew 9 create a backdrop against which Jesus’ authority over death shines. By dismissing the pipers—“Go away; the girl is not dead but asleep” (Matthew 9:24)—He exposes the inadequacy of human rites when confronted with resurrection power. The scene also anticipates the promise that Christ will “swallow up death forever” (Isaiah 25:8).

Prophetic Messaging in Revelation

John’s vision strips Babylon of all music, trading lively flutes for eerie silence. The piper’s silencing illustrates:
• The finality of judgment—no encore of cultural achievement.
• The emptiness of commerce and entertainment when severed from godliness.
• A reversal of earthly pride; what once boasted of art and wealth now echoes only desolation.

Old Testament Parallels and Foreshadowing

1 Samuel 10:5 depicts a prophetic procession with music, showing that instruments can serve sacred purposes.
Ecclesiastes 7:5 warns that mourning may teach more than feasting, echoing the funeral setting of Matthew 9.
Jeremiah 25:10 predicts that “the sound of the millstones and the light of the lamp will cease,” language echoed by Revelation 18:22; the silencing of flutes completes the prophetic pattern.

Practical Ministry Insights

• Music in worship and pastoral care: Scripture affirms the value of music for both lament and praise (Psalm 150). While believers rightly employ instruments to glorify God, they must also remember that true comfort and celebration flow from Christ’s victory, not mere ritual.
• Cultural discernment: Revelation warns against idolizing artistic expression that ignores righteousness. Ministries can enjoy the arts yet remain alert to their potential misuse.
• Eschatological hope: The muted flutes of Babylon point believers toward the coming city where songs never cease (Revelation 5:9), encouraging churches to cultivate worship that anticipates eternal praise.

Summary

Strong’s 834, though rare, weaves together threads of comfort, confrontation, and consummation. The piper’s tune fades before the voice of the Lord who turns funerals into resurrections and exposes worldly melody as hollow without holiness. The entry challenges readers to value music as a gift, wield it for godly purposes, and await the day when every instrument will resound in perfect harmony before the throne of God.

Forms and Transliterations
αυλητας αυλητάς αὐλητὰς αυλητων αυλητών αὐλητῶν auletas auletàs aulētas aulētàs auleton auletôn aulētōn aulētō̂n
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Interlinear GreekInterlinear HebrewStrong's NumbersEnglishman's Greek ConcordanceEnglishman's Hebrew ConcordanceParallel Texts
Englishman's Concordance
Matthew 9:23 N-AMP
GRK: ἰδὼν τοὺς αὐλητὰς καὶ τὸν
NAS: and saw the flute-players and the crowd
KJV: and saw the minstrels and the people
INT: having seen the flute-players and the

Revelation 18:22 N-GMP
GRK: μουσικῶν καὶ αὐλητῶν καὶ σαλπιστῶν
NAS: and musicians and flute-players and trumpeters
KJV: and of pipers, and
INT: musicians and flute-players and of trumpeters

Strong's Greek 834
2 Occurrences


αὐλητὰς — 1 Occ.
αὐλητῶν — 1 Occ.

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