8350. shasher
Lexical Summary
shasher: Chain, link

Original Word: שָׁשַׁר
Part of Speech: Noun Masculine
Transliteration: shashar
Pronunciation: shah-SHAYR
Phonetic Spelling: (shaw-shar')
KJV: vermillion
NASB: bright red, vermilion
Word Origin: [perhaps from the base of H8324 (שָׁרַר - To be firm) in the sense of that of H8320 (שָׂרוּק - sorrel)]

1. red ochre (from its piercing color)

Strong's Exhaustive Concordance
vermillion

Perhaps from the base of sharar in the sense of that of saruq; red ochre (from its piercing color) -- vermillion.

see HEBREW sharar

see HEBREW saruq

NAS Exhaustive Concordance
Word Origin
of uncertain derivation
Definition
red color, vermilion
NASB Translation
bright red (1), vermilion (1).

Brown-Driver-Briggs
[שָׁשֵׁר] noun [masculine] red colour, vermilion (etymology unknown); — vermilion, formerly gained from kermes insect (vermiculus): מָשׁוֺחַ בַּשָּׁשַׁ֑ר Jeremiah 22:14 (ᵐ5μίλτος, red ochre; ᵑ7 sinopis [from city Sinopis, whence the colour came PlinNH xxxv. [6] 13], compare ThatcherDB COLOURS CanneyEB1D.); חֲקֻקִים בַּשָּׁשַׁ֑ר Ezekiel 23:14.

[שָׁת], I. שֵׁת see שׁית.

II. שֵׁת see שֵׁאת below I. [שׁאה].

III. שֵׁת see II. שׁתה.

Topical Lexicon
Meaning and Background

Shashar denotes the red pigment commonly called vermilion, obtained in antiquity from powdered cinnabar or other iron-rich minerals. It was prized for its vivid hue, endurance, and association with luxury. Archaeological finds from Egypt, Mesopotamia, and Syro-Palestine confirm its use on palatial walls, cultic objects, and elite furnishings. When the prophets mention shashar, therefore, they are invoking a recognized symbol of opulence, self-aggrandizement, and, at times, idolatrous display.

Occurrences in Scripture

1. Jeremiah 22:14 – King Jehoiakim’s self-indulgent palace, “panels it with cedar, and paints it in vermilion”.
2. Ezekiel 23:14 – Jerusalem (Oholibah) lusts after “images of the Chaldeans portrayed in vermilion”.

Although limited to these two verses, the contexts span both the socio-political realm (extravagant building projects financed by oppression) and the spiritual realm (alluring images that entice to unfaithfulness).

Jeremiah 22:14: Vermilion and Unjust Grandeur

Jehoiakim, son of Josiah, ignored his father’s reforms and financed lavish construction through forced labor (Jeremiah 22:13). Vermilion on the cedar-paneled palace broadcast wealth and permanence, yet the prophet exposes the hollowness of such display:

“Does it make you a king to excel in cedar? Did not your father eat and drink and do justice and righteousness?” (Jeremiah 22:15).

The dazzling pigment cannot mask covenant breaches. The passage warns leaders who value architectural splendor above social righteousness (compare Amos 5:11; James 5:1-6).

Ezekiel 23:14: Vermilion and Seductive Idolatry

Jerusalem, personified as Oholibah, “saw men portrayed on a wall” in vivid vermilion. The painted warriors mirror the pomp of Babylonian art found in royal palaces such as those at Nebuchadnezzar’s Babylon or Ashurbanipal’s Nineveh. The fiery color intensifies the allure, escalating Jerusalem’s adulterous pursuit of foreign alliances and gods. What begins as aesthetic admiration ends in spiritual enslavement (Ezekiel 23:17). The prophet thus links visual culture to the heart’s affections, showing how artistry can become an avenue for apostasy (compare Numbers 33:52; 1 John 2:16).

Symbolic and Theological Themes

1. Fleeting Splendor versus Lasting Righteousness – Vermilion may preserve wood from decay, but only obedience preserves a nation (Deuteronomy 28:1-2; Proverbs 14:34).
2. Outward Adornment versus Inner Character – The prophets echo a consistent biblical thread: “Do not let your adornment be merely external” (1 Peter 3:3-4).
3. Sensory Temptation – The eye-gate serves as a frequent portal for sin (Genesis 3:6; Matthew 5:28). Vermilion’s brilliance illustrates how aesthetics can entice hearts away from the LORD.
4. Judgment for Misused Wealth – Both passages precede announcements of exile. The very nations whose art or wealth captivated Judah become the instruments of her chastisement (Jeremiah 22:25; Ezekiel 23:22-24).

Ministerial Insights

• Discern Cultural Aesthetics – Modern media often packages immoral values in visually appealing form. Pastors and parents must train believers, especially youth, to evaluate beauty through a biblical lens (Philippians 4:8).
• Stewardship over Vanity – Church facilities, personal homes, and ministry budgets should reflect simplicity and generosity, not self-promotion (1 Timothy 6:17-19).
• Prophetic Confrontation – Like Jeremiah and Ezekiel, spiritual leaders must speak against systemic injustice and idolatry even when embodied in impressive architecture, art, or technology.

Related Biblical Concepts

Cedar palaces (2 Samuel 5:11), carved images (Exodus 20:4), scarlet and crimson imagery of sin (Isaiah 1:18), Babylonian allure (Revelation 17:4).

Key References

Jeremiah 22:13-19; Ezekiel 23:11-21; Amos 6:4-7; Haggai 1:4; 1 Peter 3:3-4; Revelation 18:16.

Summary

Shashar’s striking red embodies human tendencies to glorify self and to be enticed by visual spectacle. Scripture’s two occurrences turn that brilliance on its head, portraying vermilion as a warning light: wealth without justice and beauty without fidelity invite divine judgment. By heeding the prophets, believers learn to pursue inner holiness and social righteousness over eye-catching but empty display.

Forms and Transliterations
בַּשָּׁשַֽׁר׃ בששר׃ baš·šā·šar bashshaShar baššāšar
Links
Interlinear GreekInterlinear HebrewStrong's NumbersEnglishman's Greek ConcordanceEnglishman's Hebrew ConcordanceParallel Texts
Englishman's Concordance
Jeremiah 22:14
HEB: בָּאָ֔רֶז וּמָשׁ֖וֹחַ בַּשָּׁשַֽׁר׃
NAS: and painting [it] bright red.'
KJV: and painted with vermilion.
INT: cedar and painting bright

Ezekiel 23:14
HEB: ק) חֲקֻקִ֖ים בַּשָּׁשַֽׁר׃
NAS: portrayed with vermilion,
KJV: pourtrayed with vermilion,
INT: Chaldeans portrayed vermilion

2 Occurrences

Strong's Hebrew 8350
2 Occurrences


baš·šā·šar — 2 Occ.

8349
Top of Page
Top of Page