Psalm 68:12

Kings of armies did flee apace: and she that tarried at home divided the spoil.

EXPOSITORY (ENGLISH BIBLE)

Ellicott's Commentary for English Readers

(12) Kings of armies did flee apace.—Better, Kings of armies flee, flee. This and the two next verses wear the air of being a fragment of those ancient battle-songs sung by the women after the defeat of the foe. The fact that they have thus been torn from their original context accounts for the great obscurity which hangs over them.

And she that tarried . . .—i.e., the woman keeping the house; so the Hebrew. (Comp. Judges 5:24, “Women of the tent;” and the fond anticipations of Sisera’s mother, Psalm 68:29.) So the Greeks called the mistress of the house οὶκουρός. (Eur. Herc. Fur. 45.)

Though this sense thus gives a general description of war, and the women waiting eagerly for the victorious home-coming is a picture true to life, yet the next verse indicates that we must suppose a latent reference to some tribe or party who shirked the dangers of battle, and played the part of the stay-at-home.

Benson Commentary

Psalm 68:12. Kings of armies — The kings of the Midianites, of Canaan, and other nations, which came forth against the Israelites with numerous and powerful armies; did flee apace — Hebrew, ידדונ ידדונ, jiddodun, jiddodun, fled away, fled away, the reduplication of this word denoting their hasty flight and utter dispersion. They fled with their routed forces, and were pursued, overtaken, and destroyed by the victorious Israelites. She that tarried at home divided the spoil — The spoil was so much that there was enough, not only for the proper use of those that took it, but also to be divided to their wives and children when they came home. After the conquest of the Midianites, God ordered the prey which was taken from them to be divided between them who went out on that expedition, and the rest of the people who continued in their tents, Numbers 31:27; and therefore this was part of the damsels’ song, that the women, who had charge of the household affairs, were enriched by an equal division of the enemies’ spoils, in which their husbands and fathers had their share; and perhaps it is the victory over the Midianites which is here referred to.

Matthew Henry's Concise Commentary

68:7-14 Fresh mercies should put us in mind of former mercies. If God bring his people into a wilderness, he will be sure to go before them in it, and to bring them out of it. He provided for them, both in the wilderness and in Canaan. The daily manna seems here meant. And it looks to the spiritual provision for God's Israel. The Spirit of grace and the gospel of grace are the plentiful rain, with which God confirms his inheritance, and from which their fruit is found. Christ shall come as showers that water the earth. The account of Israel's victories is to be applied to the victories over death and hell, by the exalted Redeemer, for those that are his. Israel in Egypt among the kilns appeared wretched, but possessed of Canaan, during the reigns of David and Solomon, appeared glorious. Thus the slaves of Satan, when converted to Christ, when justified and sanctified by him, look honourable. When they reach heaven, all remains of their sinful state disappear, they shall be as the wings of the dove, covered with silver, and her feathers as gold. Full salvation will render those white as snow, who were vile and loathsome through the guilt and defilement of sin.

Barnes' Notes on the Bible

Kings of armies did flee apace - Margin, as in Hebrew, did flee, did flee. This is the Hebrew mode of expressing that which is emphatic or superlative. It is by simply repeating the word. The idea is, that they fled speedily; they fled at once, and in alarm. Psalm 68:12-13 are marked by DeWette as a quotation, and the language is supposed by him to be the substance of the song that was sung by the women as referred to in Psalm 68:11. This supposition is not improbable. The reference is, undoubtedly, to the former victories achieved by the people of God when they went out to war; and the idea is, that when the command came, when God gave the word Psalm 68:11, their foes fled in consternation.

And she that tarried at home divided the spoil - The women remaining in their homes, while the men went out to war. On them devolved the office of dividing the plunder, and of giving the proper portions to each of the victors. They would take an interest in the battle, and receive the booty, and assign the portion due to each of the brave soldiers - the more acceptable as given to them by female hands. Possibly, however, the meaning may be, that the victors would bring the plunder home, and lay it at the feet of their wives and daughters to be divided among the women themselves. The dividing of the spoils of battle after a victory was always an important act. Compare Judges 5:30; Joshua 7:21; 1 Chronicles 26:27; Hebrews 7:4.

Jamieson-Fausset-Brown Bible Commentary

12. Kings of armies—that is, with their armies.

she that … at home—Mostly women so remained, and the ease of victory appears in that such, without danger, quietly enjoyed the spoils.

Matthew Poole's Commentary

Kings of armies; the kings of Canaan and other nations which came forth against the Israelites, accompanied with great and numerous armies.

The spoil was so much, that there was enough, not only for the proper use of those who took it, but also to be divided to their wives and children when they came home. This verse and that which follows may be taken, either,

1. For the triumphant song sung by those publishers mentioned Psalm 68:11. Or,

2. For the words of David, continuing the relation of the victories granted by God to Israel ever their enemies.

Gill's Exposition of the Entire Bible

Kings of armies did flee apace,.... Or "they fled, they fled" (y); or "they flee, they flee". This is either the subject matter of the word "published", the words of the publishers so saying; or the effect of the publication of the Gospel: for though some, by these kings of armies, understand the apostles either fleeing from place to place because of persecution, or running to and fro, as they interpret the words, to spread the Gospel; yet they rather intend the enemies of the Gospel, and the chief of them that opposed themselves to it; namely, Roman emperors and kings, and who fled before it; particularly at the time of the downfall of Paganism, when they fled to the mountains and hills, and called upon them to hide them from Christ, Revelation 6:15;

and she that tarried at home divided the spoil; the church, compared to a woman that keeps at home, Titus 2:5, who shared in the spoils token out of the hands of Satan, and from among the Gentiles, even converted souls, brought unto her. What is promised to Christ, Isaiah 53:12; is said of the church; she being made more than a conqueror through him, and sharing in all his victories and spoils. It denotes the certain and easy success of the Gospel ministry, attended with a divine power, and the advantages thereof to the church of Christ; this was particularly true of the church in the times of Constantine.

(y) "fugiebant, fugiebant", Pagninus, Montanus; "fugerunt, fugerunt", Tigurine version, Musculus.

Geneva Study Bible

Kings of armies did flee apace: and {i} she that tarried at home divided the spoil.

(i) The prayer was so great, that not only the soldiers, but the women also had part of it.

EXEGETICAL (ORIGINAL LANGUAGES)

Cambridge Bible for Schools and Colleges

12. Kings of hosts do flee, do flee,

And she that tarrieth at home divideth the spoil.

Psalm 68:12-14. contain allusions to the Song of Deborah and possibly to similar poems which have not been preserved to us. Many commentators regard them as the triumphal song of the women celebrating the victory; but it is better to take them as the continuation of the poet’s description of the victory. The verses run in pairs, and Psalm 68:13 is parallel to Psalm 68:12. The first line paints the scene in the battle-field—the pell-mell rout of the defeated kings: the second line depicts the scene at home when the warriors have returned with their spoils.

The unusual expression kings of hosts seems to be chosen with reference to the title Jehovah of hosts. Vast as their armies may be, they are powerless to resist One who has infinitely stronger armies at His command. The graphic repetition do flee, do flee recalls the form of Jdg 5:22; and the next line recalls the words of Jdg 5:30. The battle has been won; the warriors return home with their spoils; and the matron who has anxiously awaited the issue of the battle divides among her family the rich garments and ornaments taken from the enemy. Cp. Jdg 8:26; 2 Samuel 1:24; 2 Kings 7:8; 2 Kings 7:15.

Pulpit Commentary

Verse 12. - Kings of armies did flee apace; literally, did flee - did flee; i.e. fled repeatedly before Israel (see Joshua 8:19-22; Joshua 10:19, 20; Joshua 11:8, 9; Judges 3:10, 29; Judges 4:14-16; Judges 7:19-25; Judges 8:11, 12; Judges 11:29-33; Judges 15:14-16; 1 Samuel 7:10, 11; 1 Samuel 11:11; 1 Samuel 14:47, 48; 1 Samuel 15:7, 8; 1 Samuel 17:52; 2 Samuel 5:17-25; 2 Samuel 8:1, 2, 4, 5, 13; 2 Samuel 10:6-18, etc.). And she that tarried at home divided the spoil. The wives of the conquerors shared in the spoil when it was brought home (Judges 5:28-30). Psalm 68:12

Keil and Delitzsch Biblical Commentary on the Old Testament

The futures that now follow are no longer to be understood as referring to previous history; they no longer alternate with preterites. Moreover the transition to the language of address in Psalm 68:14 shows that the poet here looks forth from his present time and circumstances into the future; and the introduction of the divine name אדני, after Elohim has been used eleven times, is an indication of a new commencement. The prosperous condition in which God places His church by giving it the hostile powers of the world as a spoil is depicted. The noun אמר, never occurring in the genitival relationship, and never with a suffix, because the specific character of the form would be thereby obliterated, always denotes an important utterance, more particularly God's word of promise (Psalm 77:9), or His word of power (Habakkuk 3:9), which is represented elsewhere as a mighty voice of thunder (Psalm 68:34, Isaiah 30:30), or a trumpet-blast (Zechariah 9:14); in the present instance it is the word of power by which the Lord suddenly changes the condition of His oppressed church. The entirely new state of things which this omnipotent behest as it were conjures into existence is presented to the mind in v. 12b: the women who proclaim the tidings of victory - a great host. Victory and triumph follow upon God's אמר, as upon His creative יהי. The deliverance of Israel from the army of Pharaoh, the deliverance out of the hand of Jabin by the defeat of Sisera, the victory of Jephthah over the Ammonites, and the victorious single combat of David with Goliath were celebrated by singing women. God's decisive word shall also go forth this time, and of the evangelists, like Miriam (Mirjam) and Deborah, there shall be a great host.

Psalm 68:12 describes the subject of this triumphant exultation. Hupfeld regards Psalm 68:13-15 as the song of victory itself, the fragment of an ancient triumphal ode (epinikion) reproduced here; but there is nothing standing in the way that should forbid our here regarding these verses as a direct continuation of Psalm 68:12. The "hosts" are the numerous well-equipped armies which the kings of the heathen lead forth to the battle against the people of God. The unusual expression "kings of hosts" sounds very much like an ironically disparaging antithesis to the customary "Jahve of Hosts" (Bttcher). He, the Lord, interposes, and they are obliged to flee, staggering as they go, to retreat, and that, as the anadiplosis (cf. Judges 5:7; Judges 19:20) depicts, far away, in every direction. The fut. energicum with its ultima-accentuation gives intensity to the pictorial expression. The victors then turn homewards laden with rich spoils. נות בּית, here in a collective sense, is the wife who stays at home (Judges 5:24) while the husband goes forth to battle. It is not: the ornament (נוה as in Jeremiah 6:2) of the house, which Luther, with the lxx, Vulgate, and Syriac, adopts in his version,

(Note: "Hausehre," says he, is the housewife or matron as being the adornment of the house; vid., F. Dietrich, Frau und Dame, a lecture bearing upon the history of language (1864), S. 13.)

but: the dweller or homely one (cf. נות, a dwelling-lace, Job 8:6) of the house, ἡ οἰκουρός. The dividing of the spoil elsewhere belongs to the victors; what is meant here is the distribution of the portions of the spoil that have fallen to the individual victors, the further distribution of which is left for the housewife (Judges 5:30., 2 Samuel 1:24). Ewald now recognises in Psalm 68:14. the words of an ancient song of victory; but v. 13b is unsuitable to introduce them. The language of address in Psalm 68:14 is the poet's own, and he here describes the condition of the people who are victorious by the help of their God, and who again dwell peaceably in the land after the war. אם passes out of the hypothetical signification into the temporal, as e.g., in Job 14:14 (vid., on Psalm 59:16). The lying down among the sheep-folds (שׁפתּים equals משׁפּתים, cf. שׁפט, משׁפּט, the staked-in folds or pens consisting of hurdles standing two by two over against one another) is an emblem of thriving peace, which (like Psalm 68:8, Psalm 68:28) points back to Deborah's song, Judges 5:16, cf. Genesis 49:14. Just such a time is now also before Israel, a time of peaceful prosperity enhanced by rich spoils. Everything shall glitter and gleam with silver and gold. Israel is God's turtle-dove, Psalm 74:19, cf. Psalm 56:1, Hosea 7:11; Hosea 11:11. Hence the new circumstances of ease and comfort are likened to the varied hues of a dove disporting itself in the sun. Its wings are as though overlaid with silver (נחפּה, not 3. praet, but part. fem. Niph. as predicate to כּנפי, cf. 1 Samuel 4:15; Micah 4:11; Micah 1:9; Ew. 317 a), therefore like silver wings (cf. Ovid, Metam. ii.:537: Niveis argentea pennis Ales); and its pinions with gold-green,

(Note: Ewald remarks, "Arabian poets also call the dove Arab. 'l-wrq'â, the greenish yellow, golden gleaming one, vid., Kosegarten, Chrestom. p. 156, 5." But this Arabic poetical word for the dove signifies rather the ash-green, whity blackish one. Nevertheless the signification greenish for the Hebrew ירקרק is established. Bartenoro, on Negaim xi. 4, calls the colour of the wings of the peacock ירקרק; and I am here reminded of what Wetzstein once told me, that, according to an Arab proverb, the surface of good coffee ought to be "like the neck of the dove," i.e., so oily that it gleams like the eye of a peacock. A way for the transition from green to grey in aurak as the name of a colour is already, however, opened up in post-biblical Hebrew, when to frighten any one is expressed by פנים הוריק, Genesis Rabba, 47a. The intermediate notions that of fawn colour, i.e., yellowish grey. In the Talmud the plumage of the full-grown dove is called זהוב and צהוב, Chullin, 22b.)

and that, as the reduplicated form implies, with the iridescent or glistening hue of the finest gold (חרוּץ, not dull, but shining gold).

Side by side with this bold simile there appears in v. 15 an equally bold but contrastive figure, which, turning a step or two backward, likewise vividly illustrates the results of their God-given victory. The suffix of בּהּ refers to the land of Israel, as in Isaiah 8:21; Isaiah 65:9. צלמום, according to the usage of the language so far as it is now preserved to us, is not a common noun: deep darkness (Targum equals צלמות), it is the name of a mountain in Ephraim, the trees of which Abimelech transported in order to set fire to the tower of Shechem (Judges 9:48.). The Talmudic literature was acquainted with a river taking its rise there, and also somewhat frequently mentions a locality bearing a similar name to that of the mountain. The mention of this mountain may in a general way be rendered intelligible by the consideration that, like Shiloh (Genesis 49:10), it is situated about in the centre of the Holy Land.

(Note: In Tosifta Para, ch. viii., a river of the name of יורדת הצלמון is mentioned, the waters of which might not be used in preparing the water of expiation (מי חטאת), because they were dried up at the time of the war, and thereby hastened the defeat of Israel (viz., the overthrow of Barcochba). Grtz "Geschichte der Juden, iv. 157, 459f.) sees in it the Nahar Arsuf, which flows down the mountains of Ephraim past Bethar into the Mediterranean. The village of Zalmon occurs in the Mishna, Jebamoth xvi. 6, and frequently. The Jerusalem Gemara (Maaseroth i. 1) gives pre-eminence to the carob-trees of Zalmona side by side with those of Shitta and Gadara.)

השׁליג signifies to bring forth snow, or even, like Arab. aṯlj, to become snow-white; this Hiph. is not a word descriptive of colour, like הלבּין. Since the protasis is בּפרשׂ, and not בּפרשׂך, תּשׁלג is intended to be impersonal (cf. Psalm 50:3; Amos 4:7, Mich. Psalm 3:6); and the voluntative form is explained from its use in apodoses of hypothetical protases (Ges. 128, 2). It indicates the issue to which, on the supposition of the other, it must and shall come. The words are therefore to be rendered: then it snows on Zalmon; and the snowing is either an emblem of the glistening spoil that falls into their hands in such abundance, or it is a figure of the becoming white, whether from bleached bones (cf. Virgil, Aen. v. 865: albi ossibus scopuli; xii. 36: campi ossibus albent; Ovid, Fasti i.:558: humanis ossibus albet humus) or even from the naked corpses (2 Samuel 1:19, על־בּמותיך חלל). Whether we consider the point of comparison to lie in the spoil being abundant as the flakes of snow, and like to the dazzling snow in brilliancy, or in the white pallid corpses, at any rate בּצלמון is not equivalent to כּבצלמון, but what follows "when the Almighty scatters kings therein" is illustrated by Zalmon itself. In the one case Zalmon is represented as the battle-ground (cf. Psalm 110:6), in the other (which better corresponds to the nature of a wooded mountain) as a place of concealment. The protasis בפרשׂ וגו favours the latter; for פּרשׂ signifies to spread wide apart, to cause a compact whole - and the host of "the kings" is conceived of as such - to fly far asunder into many parts (Zechariah 2:10, cf. the Niph. in Ezekiel 17:21). The hostile host disperses in all directions, and Zalmon glitters, as it were with snow, from the spoil that is dropped by those who flee. Homer also (Iliad, xix. 357-361) likens the mass of assembled helmets, shields, armour, and lances to the spectacle of a dense fall of snow. In this passage of the Psalm before us still more than in Homer it is the spectacle of the fallen and far seen glistening snow that also is brought into the comparison, and not merely that which is falling and that which covers everything (vid., Iliad, xii. 277ff.). The figure is the pendant of the figure of the dove.

(Note: Wetzstein gives a different explanation (Reise in den beiden Trachonen und um das Haura equals ngebirge in the Zeitscheift fr allgem. Erdkunde, 1859, S. 198). "Then fell snow on Zalmon, i.e., the mountain clothed itself in a bright garment of light in celebration of this joyous event. Any one who has been in Palestine knows how very refreshing is the spectacle of the distant mountain-top capped with snow. The beauty of this poetical figure is enhanced by the fact that Zalmon (Arab. ḏlmân), according to its etymology, signifies a mountain range dark and dusky, either from shade, forest, or black rock. The last would well suit the mountains of Haurn, among which Ptolemaeus (p. 365 and 370, Ed. Wilberg) mentions a mountain (according to one of the various readings) Ἀσαλμάνος.")