Song of Solomon 3
Berean Study Bible

The Bride’s Dream

On my bed at night
This phrase suggests a time of solitude and introspection, often associated with vulnerability and longing. In biblical times, the night was a period of rest but also of reflection and sometimes anxiety. The bed symbolizes a place of intimacy and personal thoughts. The night can also represent a spiritual darkness or a period of waiting for God's presence, as seen in Psalm 63:6, where David meditates on God during the night watches.

I sought the one I love;
The act of seeking indicates a deep desire and earnest pursuit. In the context of the Song of Solomon, this reflects the bride's longing for her beloved, symbolizing the soul's yearning for communion with God. This pursuit can be likened to the search for wisdom in Proverbs 2:4, where seeking is portrayed as a diligent and passionate endeavor. The "one I love" can be seen as a type of Christ, representing the believer's relationship with Jesus, who is the ultimate beloved of the soul.

I sought him,
The repetition of seeking emphasizes the intensity and persistence of the search. It reflects a personal and active engagement in the pursuit of the beloved. This mirrors the biblical theme of seeking God with all one's heart, as encouraged in Jeremiah 29:13. The personal pronoun "him" underscores the intimate and exclusive nature of the relationship, pointing to the personal relationship believers are called to have with Christ.

but did not find him.
This phrase introduces a moment of tension and unfulfilled desire. It reflects the reality of spiritual longing and the occasional sense of God's absence, which can be a test of faith and perseverance. This echoes the experience of the psalmist in Psalm 22:1, who cries out to God in a time of perceived abandonment. The absence of the beloved can also be seen as a call to deeper faith and trust, encouraging believers to continue seeking until they find the presence and peace of Christ.

I will arise now and go about the city
This phrase indicates a sense of urgency and determination. The speaker, traditionally understood as the Shulammite woman, is motivated by love to take immediate action. In the ancient Near Eastern context, cities were often walled and had a network of streets and squares, suggesting a structured search. The city may symbolize the world or society, where one seeks fulfillment or spiritual truth. This search can be seen as a metaphor for the soul's quest for God, echoing the pursuit of wisdom in Proverbs 1:20-21, where wisdom is personified and calls out in the streets.

through the streets and squares
The mention of streets and squares highlights the public nature of the search. In biblical times, these areas were central to community life, commerce, and social interaction. The imagery suggests a thorough and exhaustive search, leaving no area unexplored. This can be compared to the diligent search for wisdom and understanding in Proverbs 2:4-5, where seeking is rewarded with the knowledge of God. The public setting may also imply vulnerability and risk, as cities could be places of danger, especially at night.

I will seek the one I love
The phrase underscores the personal and intimate nature of the search. The "one I love" is often interpreted as a representation of Christ or God, reflecting the deep longing of the believer for communion with the divine. This mirrors the New Testament theme of seeking Christ, as seen in Matthew 7:7-8, where Jesus encourages believers to ask, seek, and knock. The pursuit of love here is not passive but active, demonstrating the believer's responsibility to seek God with all their heart, as emphasized in Jeremiah 29:13.

So I sought him but did not find him
This expression of unfulfilled desire can reflect the spiritual experience of feeling distant from God, a theme found throughout the Psalms, such as in Psalm 42:1-2, where the psalmist longs for God. The temporary absence of the beloved can serve as a test of faith and perseverance, encouraging deeper reliance on God. It also foreshadows the New Testament parable of the persistent widow in Luke 18:1-8, illustrating the importance of persistence in prayer and seeking God, even when immediate results are not apparent.

I encountered the watchmen on their rounds of the city:
In ancient cities, watchmen were responsible for maintaining order and security, often patrolling the city walls and streets. This imagery reflects a sense of vigilance and protection. The presence of watchmen suggests a setting within a walled city, likely Jerusalem, which was known for its fortified walls. Theologically, watchmen can symbolize spiritual leaders or prophets who are tasked with guiding and protecting the people (Ezekiel 3:17). The encounter with the watchmen may also represent a search for guidance or wisdom, as the watchmen are figures of authority and knowledge.

“Have you seen the one I love?”
This phrase expresses a deep longing and desire for the beloved, a central theme in the Song of Solomon. The search for the beloved can be seen as a metaphor for the soul's search for God or Christ, reflecting the intimate relationship between the divine and the believer. The question posed to the watchmen indicates a sense of urgency and desperation, highlighting the intensity of the speaker's love. In a broader biblical context, this longing can be compared to the yearning for God seen in Psalms, such as Psalm 42:1, "As the deer pants for streams of water, so my soul pants for you, my God." The beloved in this context can also be seen as a type of Christ, the ultimate object of love and devotion for the believer.

I had just passed them
This phrase suggests a sense of urgency and determination in the search. The "them" likely refers to the watchmen mentioned earlier in the chapter, symbolizing those who guard the city. In a spiritual sense, this can represent the soul's search for Christ, passing through worldly distractions or obstacles to find true love and fulfillment in Him.

when I found the one I love.
The "one I love" is a central theme in the Song of Solomon, representing the deep, intimate relationship between the bride and her beloved. Historically, this reflects the passionate love between Solomon and his bride. Spiritually, it is often interpreted as the soul's union with Christ, the ultimate beloved. This mirrors the joy and fulfillment found in a personal relationship with Jesus, as seen in other scriptures like John 15:9-10, where abiding in Christ's love is emphasized.

I held him and would not let go
This phrase indicates a strong desire to maintain closeness and intimacy. It reflects the commitment and tenacity in a loving relationship. In a spiritual context, it can symbolize the believer's determination to cling to Christ, as seen in Philippians 3:12, where Paul speaks of pressing on to take hold of that for which Christ Jesus took hold of him. It underscores the importance of perseverance in faith.

until I had brought him to my mother’s house,
Bringing the beloved to the mother's house signifies a place of origin and security. In ancient Near Eastern culture, the mother's house was a place of familial blessing and approval. Spiritually, this can be seen as bringing Christ into the heart, the innermost being, where one's spiritual life is nurtured and grows. It also reflects the idea of introducing Christ into one's family and community, as seen in Acts 16:31, where the promise of salvation extends to one's household.

to the chamber of the one who conceived me.
The chamber represents a private, intimate space, often associated with birth and new beginnings. This can symbolize the believer's return to the foundational truths of faith, akin to being born again, as Jesus describes in John 3:3. It highlights the renewal and transformation that occurs when one fully embraces a relationship with Christ. Historically, it also reflects the cultural importance of family lineage and heritage in ancient Israel.

O daughters of Jerusalem
This phrase addresses the "daughters of Jerusalem," a group often interpreted as the women of the city or symbolic of the people of Israel. In the context of the Song of Solomon, they serve as a chorus or audience to the love story unfolding between the bride and the bridegroom. The mention of Jerusalem, the central city of worship and the heart of Israel, underscores the significance of the message. Jerusalem is not only a geographical location but also a spiritual symbol, often representing the people of God. This phrase invites the audience to heed the wisdom being imparted.

I adjure you
The term "adjure" is a solemn appeal or command, indicating the seriousness of the speaker's request. It suggests a binding oath or a strong urging, emphasizing the importance of the message that follows. In biblical times, oaths and adjurations were taken very seriously, often invoking divine witness to the truth or promise being made. This reflects the gravity of the counsel being given, highlighting its moral and spiritual weight.

by the gazelles and does of the field
Gazelles and does are gentle, graceful creatures often associated with beauty and swiftness. In the ancient Near Eastern context, these animals were symbols of natural beauty and were sometimes linked to love and fertility. The invocation of these creatures in the adjuration may suggest a call to respect the natural order and timing of love, much like the natural instincts and rhythms observed in wildlife. This imagery also evokes a sense of purity and innocence, reinforcing the sanctity and patience required in matters of love.

Do not arouse or awaken love
This phrase serves as a caution against prematurely stirring or forcing love before its appropriate time. The repetition of this warning throughout the Song of Solomon underscores its importance. In the biblical context, love is seen as a powerful and profound force, one that should be approached with reverence and patience. The caution here aligns with the broader biblical teachings on love, which emphasize its depth and the need for it to be genuine and divinely timed.

until the time is right
The concept of timing is crucial in this passage, suggesting that love has a proper season or moment ordained by God. This aligns with the biblical theme of divine timing found throughout Scripture, such as in Ecclesiastes 3:1, which speaks of a time for every purpose under heaven. The emphasis on waiting for the right time reflects a trust in God's perfect plan and timing, encouraging believers to exercise patience and discernment in their relationships. This principle can also be seen as a type of Christ, who came in the "fullness of time" (Galatians 4:4), fulfilling God's perfect plan for redemption.

Solomon Arrives on His Wedding Day

Who is this coming up from the wilderness
This phrase evokes imagery of a grand procession emerging from a desolate place, symbolizing transformation and emergence from trials. The wilderness often represents a place of testing and preparation in the Bible, as seen in the Israelites' journey (Exodus 16) and Jesus' temptation (Matthew 4:1-11). The question "Who is this" suggests awe and anticipation, possibly pointing to the bride or a royal figure, and can be seen as a type of Christ, who emerges victorious from trials.

like a column of smoke
The column of smoke signifies majesty and divine presence, reminiscent of the pillar of cloud and fire that guided the Israelites (Exodus 13:21-22). Smoke is also associated with sacrifice and worship, as in the smoke from burnt offerings (Leviticus 1:9). This imagery can be seen as a type of Christ's sacrificial role and His guidance for believers.

scented with myrrh and frankincense
Myrrh and frankincense are aromatic resins used in ancient times for anointing, embalming, and as offerings (Exodus 30:23-25). They symbolize purity, worship, and sacrifice. These spices were also gifts brought to Jesus by the Magi (Matthew 2:11), foreshadowing His role as King and Savior. The use of these scents here suggests a royal or divine presence, enhancing the imagery of majesty and holiness.

from all the spices of the merchant
This phrase indicates a wealth of fragrances, suggesting abundance and prosperity. Merchants in biblical times were known for trading exotic goods, including spices, which were highly valued (Genesis 37:25). The mention of merchants highlights the richness and desirability of the procession, possibly symbolizing the richness of Christ's grace and the spiritual blessings He brings.

Behold, it is Solomon’s carriage
This phrase draws attention to the grandeur and splendor associated with King Solomon, known for his wisdom and wealth. The mention of a carriage, or palanquin, signifies royal procession and majesty. In ancient Near Eastern cultures, such carriages were used by royalty and nobility, symbolizing status and authority. Solomon's carriage here can be seen as a type of Christ, representing the divine and kingly nature of Jesus, who is often depicted as the ultimate bridegroom in Christian theology.

escorted by sixty of the mightiest men of Israel
The number sixty is significant, often symbolizing completeness or strength in biblical numerology. The "mightiest men" refers to elite warriors, akin to David's mighty men, who were known for their valor and loyalty. This imagery underscores the protection and honor surrounding Solomon, reflecting the security and strength found in God's kingdom. Historically, such a guard would be necessary for a king's protection during travel, highlighting the importance and reverence of the person being guarded. This can also be seen as a foreshadowing of the heavenly host that accompanies Christ, emphasizing His divine protection and authority.

All are skilled with the sword
This phrase highlights the proficiency and readiness of the warriors accompanying Solomon. In ancient Israel, being skilled with the sword was essential for defense and protection. The sword is often a symbol of strength and authority in the Bible, as seen in passages like Ephesians 6:17, where the "sword of the Spirit" is mentioned. The emphasis on skill suggests a disciplined and well-trained group, reflecting the importance of preparedness in spiritual warfare.

Experienced in warfare
The mention of experience in warfare indicates that these men are seasoned soldiers, not novices. This experience would have been crucial in the ancient Near Eastern context, where conflicts and battles were common. The historical context of Israel, surrounded by hostile nations, necessitated a strong military presence. This experience can be seen as a metaphor for spiritual maturity and the ability to withstand trials, as echoed in 2 Timothy 2:3-4, where believers are encouraged to endure hardship as good soldiers of Christ.

Each has his sword at his side
The image of each warrior having his sword at his side signifies readiness and vigilance. In biblical times, carrying a sword was a sign of being prepared for immediate action. This readiness is paralleled in the New Testament, where believers are urged to be watchful and prepared for spiritual battles (1 Peter 5:8). The sword at the side also symbolizes the personal responsibility each believer has in their spiritual journey.

Prepared for the terror of the night
Nighttime in ancient times was often associated with danger and uncertainty, as it was when attacks or robberies were more likely to occur. The phrase "terror of the night" can be linked to Psalm 91:5, which speaks of God's protection from the "terror of night." This preparation reflects the need for constant vigilance and trust in God's protection against spiritual and physical threats. It also points to the assurance that, like these warriors, believers are equipped to face the darkness with confidence in God's provision and strength.

King Solomon has made his carriage
This phrase highlights King Solomon's wealth and craftsmanship. Solomon, known for his wisdom and prosperity, often undertook grand projects, including the construction of the Temple in Jerusalem (1 Kings 6). The carriage, or palanquin, symbolizes royal splendor and authority. In a broader biblical context, Solomon's works often prefigure the majesty and wisdom of Christ, who is referred to as the greater Solomon (Matthew 12:42). The carriage can also be seen as a type of the church, which Christ, the true King, builds and adorns with His grace.

out of the timber of Lebanon.
Lebanon was renowned for its high-quality cedar trees, which were used in the construction of significant structures, including Solomon's Temple (1 Kings 5:6). The use of Lebanon's timber signifies strength, durability, and beauty. In biblical symbolism, cedar wood often represents incorruptibility and eternal life, pointing to the enduring nature of Christ's kingdom. The choice of materials reflects the excellence and care in the creation of something meant to last, much like the eternal covenant established through Jesus.

He has made its posts of silver
The use of silver in the construction of the posts signifies purity and redemption. In biblical symbolism, silver often represents redemption and the process of purification (Psalm 12:6). The posts provide structural support, suggesting the strength and stability of the relationship being described. In the context of the Song of Solomon, this could symbolize the steadfastness and enduring nature of love. Silver's reflective quality may also imply the reflective nature of true love, mirroring the divine love of God.

its base of gold
Gold is frequently associated with divinity, kingship, and eternal value in the Bible. The base being made of gold suggests a foundation of divine love and eternal worth. Gold's incorruptibility and preciousness highlight the sacred and unchanging nature of the love between the bride and groom. This can be seen as a type of Christ, whose love for the Church is pure and everlasting (Revelation 21:18). The base of gold also connects to the opulence and splendor of Solomon's reign, reflecting the wealth and glory of his kingdom.

its seat of purple fabric
Purple is a color traditionally associated with royalty and nobility, as it was a costly dye in ancient times, often reserved for kings and high officials (Judges 8:26, Mark 15:17). The seat of purple fabric indicates a place of honor and majesty, fitting for a royal procession or a king's chariot. This imagery can be seen as a metaphor for the royal nature of the love being celebrated, elevating it to a status of high esteem. It also points to the royal lineage of Christ, the King of Kings, and His bride, the Church.

Its interior is inlaid with love by the daughters of Jerusalem
The interior being inlaid with love suggests a deep, intrinsic beauty and value that goes beyond external appearances. The daughters of Jerusalem, often seen as witnesses or participants in the celebration of love, contribute to this adornment, symbolizing communal support and the shared joy in the union. This phrase emphasizes the communal aspect of love and marriage, where the community plays a role in nurturing and celebrating the relationship. It also reflects the love and devotion that should characterize the Church, the bride of Christ, as it prepares for the coming of the Bridegroom (Ephesians 5:25-27).

Come out, O daughters of Zion
This phrase is a call to the women of Jerusalem, often referred to as the "daughters of Zion." In biblical literature, Zion is a poetic term for Jerusalem, the city of God. The call to "come out" suggests an invitation to witness a significant event, emphasizing the communal aspect of celebration in ancient Israelite culture. The daughters of Zion are often seen as representatives of the people of Israel, and their presence signifies the importance of the occasion.

and gaze at King Solomon
King Solomon, the son of David, is a central figure in the Old Testament known for his wisdom, wealth, and building projects, including the First Temple in Jerusalem. The invitation to "gaze" implies admiration and reverence, highlighting Solomon's esteemed status. This moment reflects the grandeur and splendor associated with his reign, which is often seen as a high point in Israel's history. Solomon's kingship is also a type of Christ, representing wisdom and peace.

wearing the crown with which his mother crowned him
The mention of Solomon's mother, Bathsheba, crowning him adds a personal and familial dimension to the scene. In ancient Near Eastern cultures, the crowning of a king was a significant event, often involving family members. This act symbolizes legitimacy and continuity of the Davidic line. Bathsheba's role underscores the importance of maternal influence and support in royal succession. The crown itself is a symbol of authority and honor.

on the day of his wedding
The wedding day is a time of joy and celebration, marking the union of two individuals and the beginning of a new chapter. In the context of Solomon, this could refer to his marriage to Pharaoh's daughter or another significant union. Weddings in ancient Israel were communal events, often lasting several days, and were seen as a reflection of God's covenant relationship with His people. This imagery is also prophetic, pointing to the ultimate marriage between Christ and His Church.

the day of his heart’s rejoicing
This phrase emphasizes the joy and fulfillment found in the covenant of marriage. It reflects the deep emotional and spiritual satisfaction that comes from such a union. In biblical theology, the heart is the center of one's being, encompassing emotions, will, and intellect. Solomon's rejoicing can be seen as a foreshadowing of the joy Christ experiences in His relationship with the Church, His bride. This joy is a recurring theme in Scripture, symbolizing the ultimate fulfillment of God's promises.

This is a draft of the Berean Study Bible. Please send all comments and recommendations to bereanstudybible@aol.com.



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