5525. choros
Lexical Summary
choros: Dance, company of dancers

Original Word: χορός
Part of Speech: Noun, Masculine
Transliteration: choros
Pronunciation: kho-ROS
Phonetic Spelling: (khor-os')
KJV: dancing
NASB: dancing
Word Origin: [of uncertain derivation]

1. a ring, i.e. round dance ("choir"

Strong's Exhaustive Concordance
dancing.

Of uncertain derivation; a ring, i.e. Round dance ("choir" -- dancing.

HELPS Word-studies

5525 xorós – dancing, which in the Bible is viewed as wholesome (when done modestly, etc.). Indeed, "dancing is even commended in the Bible" (G. Archer).

NAS Exhaustive Concordance
Word Origin
a prim. word
Definition
a dance, chorus
NASB Translation
dancing (1).

Thayer's Greek Lexicon
STRONGS NT 5525: χορός

χορός, χορου, (by metathesis from ὄρχος, ὀρχέομαι ((?); probably related to χόρτος (Latinhortus), χρόνος, etc., denoting primarily 'an enclosure for dancing'; cf. Curtius, § 189)), from Homer down, a band (of dancers and singers), a circular dance, a dance, dancing: Luke 15:25 (for מְחולָה, Exodus 15:20; Judges 11:34, etc.; for מָחול, Lamentations 5:15; Psalm 150:4).

Topical Lexicon
General Sense

A festive, communal dance that expresses collective joy, welcome, and thanksgiving. The term most naturally evokes a circle of celebrants whose movement is accompanied by music—often vocal, sometimes instrumental—and is generally associated with covenant rejoicing rather than private entertainment.

Old Testament Background

The act of group dancing appears repeatedly across the Hebrew Scriptures as an embodied response to divine deliverance or covenant blessing.
Exodus 15:20–21 – Miriam leads the women with tambourines and dance after the Red Sea victory.
Judges 11:34 – Jephthah’s daughter greets her father “with tambourines and dancing.”
2 Samuel 6:14 – David “danced before the LORD with all his might” as the ark returns.
Psalm 149:3; 150:4 – “Let them praise His name with dancing… praise Him with tambourine and dancing.”
Ecclesiastes 3:4 – A time “to mourn and a time to dance,” pairing dance with legitimate seasons of joy.

While most references are positive, Exodus 32:19 and Judges 21:21–23 demonstrate that ungodly or exploitative dancing also existed, underscoring that the act itself is morally neutral and gains its value from the intent and object of worship.

Greco-Roman Cultural Setting

In the wider Hellenistic world, choreographed group movement marked civic festivals, dramatic choruses, and victory celebrations. By the first century, such gatherings were a common feature of village life, providing a familiar social metaphor for Jesus’ audience. The unique New Testament occurrence therefore resonates immediately with hearers steeped in both Jewish festal tradition and broader Mediterranean custom.

New Testament Occurrence

Luke 15:25 – “Meanwhile, the older son was in the field, and as he approached the house, he heard music and dancing.”

Placed within the climactic moment of the parable of the prodigal son, the dance signals full familial restoration. It is not a restrained or private rejoicing but a public, audible declaration of reconciliation. The father’s house becomes a place of music (symphonias) and dance, portraying heaven’s jubilation over a sinner who repents (Luke 15:7, 10).

Theological Themes

1. Joy of Salvation – The dance embodies Isaiah 61:10’s “joy of my soul in my God,” reminding believers that redemption is to be celebrated with whole-person devotion.
2. Communal Welcome – Dance in Luke 15 is corporate, signaling that forgiveness restores an individual to fellowship, not merely to isolated peace.
3. Contrast of Hearts – The older brother hears the dance yet refuses to join, exemplifying resistance to grace. External nearness to covenant privileges does not guarantee participation in its joy.
4. Eschatological Foretaste – Prophets envision future restoration in terms of dance (Jeremiah 31:4, 13). Luke 15 previews that end-time celebration breaking into present history through the gospel.

Historical Trajectory in Christian Practice

Early church writings reflect caution toward pagan dance traditions while still affirming bodily expression in worshipful contexts (e.g., Clement of Alexandria’s advocacy of orderly, modest movement). Medieval and Reformation eras largely shifted dance outside liturgical space, though folk celebrations of Easter or harvest persisted. Modern liturgical renewal in portions of the global church has re-engaged dance as a biblically warranted, culturally adaptable sign of joy, provided it remains God-centered and edifying (1 Corinthians 14:26, 40).

Applications for Worship and Ministry

• Celebration of Baptisms and Conversions – Congregations may incorporate corporate movement, signaling shared delight in God’s saving work.
• Teaching on Grace – Luke 15:25 can illustrate the danger of spiritual aloofness; inviting believers not merely to assent to grace but to rejoice in it.
• Cross-Cultural Outreach – Many cultures use communal dance to mark significant events. Thoughtful integration affirms local expression while directing glory to Christ.
• Pastoral Counseling – The image of the Father’s celebratory dance aids repentant believers who struggle to accept divine forgiveness, emphasizing God’s active delight in their return.

Cautionary Principles

1. Object of Praise – Dance must be oriented toward the Lord, not self-exaltation or sensuality (Colossians 3:17).
2. Edification – It should build up the body, avoiding distraction or division (Romans 14:15–19).
3. Modesty and Order – Movement ought to reflect holiness and propriety (1 Timothy 2:9; 1 Corinthians 14:40).
4. Cultural Sensitivity – What conveys joy in one setting may offend in another; shepherds must apply pastoral wisdom.

Summary

Though occurring only once in the Greek New Testament, the concept of communal dancing carries a rich biblical heritage of joyful, bodily praise that celebrates God’s redemptive acts. Luke 15:25 elevates this practice to a parabolic sign of heavenly celebration over repentant sinners, calling the church in every age to join the Father’s dance of grace.

Forms and Transliterations
χοροί χοροίς χορός χορούς χορρί χορώ χορων χορών χορῶν choron chorôn chorōn chorō̂n
Links
Interlinear GreekInterlinear HebrewStrong's NumbersEnglishman's Greek ConcordanceEnglishman's Hebrew ConcordanceParallel Texts
Englishman's Concordance
Luke 15:25 N-GMP
GRK: συμφωνίας καὶ χορῶν
NAS: he heard music and dancing.
KJV: musick and dancing.
INT: music and dancing

Strong's Greek 5525
1 Occurrence


χορῶν — 1 Occ.

5524
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